Showing posts with label christmas. Show all posts
Showing posts with label christmas. Show all posts

Tuesday, 10 December 2013

Cantus Arcticus - Part Two




Cantus Arcticus is written by Mark Jones of Wordsmith Jones Editorial Servicesit is told in 5 parts, one each night this week... Mark's story Moonlight Over Inverkip is part of our A Nip in The Air Ghost Story CollectionNo less terrifying is Mark's brave rifling through his teenage diaries which you can enjoy at 20 years Ago Today : A Diary of Teenage Embarassment.

Catch up...Part One


Too tired for sorting paperwork any longer, Duncan reclined on the sofa and continued – half against his will – to think of Dad.

Resenting the old fellow, Duncan in adulthood returned home only when either it suited him or he felt he really had to. An uneasy truce did develop between them, it was true, but it was peppered with occasional shots across one another’s bows. Duncan could see Dad was lonely. He could see why the old guy hated being landlocked in Larkfield. Dad dreamed still for the sea, for youth, for travel. Hence the interminable jolly jack tar tales. But it was too late for that – too late for the old man to go back, and too late for Duncan to sympathise too much. Time, like a tide, had washed away too much of what little love or compassion Duncan had ever felt for his father. Time and tide had passed for reaching out and reconnecting with his one remaining relative.

Then, as the years went on, and medication largely sorted the angina problem, Dad stopped trying to interest Duncan in his war stories and started to lose his mind. Stupid old bugger. All he could do by the end was sit in his filthy armchair, dribbling away and asking where Mum and Janet were. As if he didn’t know.

In a strange way, though, this last fortnight had afforded Duncan some sense of closure. Of course, selfishly, it couldn’t have come at a better time – to get out of Stirling and catch his breath, and give him time to think before he decided how best to leap from the problems he’d caused for himself there. But to see Dad one last time had been more emotional than he’d anticipated.

The house had been mobbed when he arrived, kind neighbours, doctors and Macmillan nurses already on the scene and at the bedside. Dad lay at the centre of all this commotion like a boat bobbing over the pounding waves of a storm at sea. The poor sod didn’t really know what was going on. Duncan could never forgive him for Mum and Janet’s deaths, but he couldn’t help but feel a little sorry. First dementia, now cancer. What kind of life was this?

Duncan dropped the document in his hand, sat back, sipped coffee and thought through the last fortnight. Sitting with Dad during those last days and nights, the old boy became daft with pain and the medication seemed only to exacerbate the dementia, the confusion. Befuddled, Dad’s thoughts rambled, unravelling from his tongue. Sometimes he’d been quite lucid, sometimes he’d even recognised Duncan. Often not, though. Often, Dad just lay there, moaning incoherently, occasional bursts of sense making it out through his dry, sore, cracked lips and out into the bedroom.

With little else to do but wait, Duncan had listened to his father with some interest. A lot of Dad’s mumblings concerned the war. At times he seemed to believe he was back on board a torpedoed ship. The white uniformed doctors and nurses around him appeared as sailors. Duncan hadn’t liked the anxiety this evidently brought the elderly man, and it made him feel awkward that he really hadn’t ever taken in much before about what his old man had gone through before he’d met Mum.

At other times, Dad seemed even more wandered. He thought he was outside, in Greenock itself. One day, he complained to a nurse that the medicine she brought him was the bitterest coffee he’d ever tasted and she, the waitress of a cafĂ© on West Blackhall Street, should be sacked. He was mortified when this waitress proceeded to jab him with a needle.

Every morning, Duncan would enter the bedroom and greet his father. On one occasion, he politely enquired how the old man was. The reply he received was unexpected:

“Oh, fuck off. Leave me in peace. It’s almost worse than the call of them dead people.”

He didn’t take offense. Dad clearly had no idea who Duncan was. Of more interest to Duncan was who, exactly, these dead people were.

The gnomic utterances Dad would eject, reject or sometimes appear almost to vomit from his wounded, failing mind intrigued Duncan. Little of it made sense and, because of that, it had a spooky, sinister quality that Duncan – with his lifelong love of the fictional macabre – rather appreciated. With the selfish ear of a writer, he was drawn by the hallucinatory quality of Dad’s perception. The old man saw things in the room nobody else could – birds flapping their wings above the bed, an old nightshirt hanging from the wardrobe door that simply wasn’t there. And sometimes he saw worse:

“Get that man out of my room!” he’d screamed, pointing at the wall. “I don’t want to see him! I didn’t like him then, and I don’t like him now.”

It all looked so real to Dad that Duncan began to doubt his own eyes, wondering where exactly the boundary between reality and dreams, sanity and madness actually fell. How thin that boundary now seemed. There were fresh stories to be written from all this, if nothing else.

One incident in particular stuck in Duncan’s mind. On a grey afternoon towards the end, Dad lay in his bed, mumbling again about being up on Greenock Cut. He was exhausted, a nurse had just had to raise him up and change the bed linen. This, by now, was an excruciating process for a man who could barely breathe without sending waves of pain flooding through his body. Duncan couldn’t imagine how the nurse managed to perform it so quickly. To distract Dad from the discomfort, Duncan had put the TV on for him. One of the channels showed highlights from that year’s Ashes series, Dad’s favourite sport. The old man seemed to take interest, but then, suddenly, he gazed up at Duncan as though noticing and recognising him for the first time. The poor bloke looked aghast. Turning to the nurse, he motioned her down to his mouth. It was as much as he could do to speak.

“Tell him. Tell him,” he whispered, “Get the box and throw it away.”

The nurse looked baffled, exchanging glances with Duncan who drew near.

“What box, Dad?” he asked, softly.

“You know the box. It’s in a room with all the other boxes. A box inside all the other boxes. You know it – I know you do.”

“Yes, I know,” Duncan muttered, not knowing how else to respond. “But I can’t remember where it is.” Dad could be so convinced by himself that Duncan too couldn’t help but believe there might really be a box somewhere.

“In the room with the others. Find it. Throw it away. Bury it. It’ll save your life.”

“Save my life? Bury it? What’s in it, Dad?”

“You know which box. The box with them apples in it.”

“Apples?”

“Apples. But not apples. The box with them apples what aren’t apples.”

Duncan was truly perplexed. Dad was running short of breath and energy.

“Apples that aren’t apples?” Duncan’s words faded on his lips. He felt oddly desperate to find out what Dad’s command meant, even though he knew perfectly well that it probably meant nothing at all.

“You don’t – you don’t know, do you?” Dad’s whisper died away. He lay back, looking up at Duncan through grey eyes glassy as marbles. His sunken features thawed into a sad smile. He’d seen through Duncan. He knew Duncan hadn’t understood, not really, and now he had neither heart nor energy to explain. Duncan pulled away from the bed, surprised how upset he felt – annoyed that he could make no sense whatsoever of Dad’s instructions, but angry with himself too for disappointing his father once again.

Those last days had been enormously tough on all concerned. Duncan barely slept for keeping an eye on his father. The doctors and nurses and neighbours joined the vigil. Duncan began to long for an end that never seemed to arrive. Every time Dad seemed on the verge of slipping away, he’d perk up again. Another day would pass – more pain, more moments of lucidity and resignation, more peculiar conversations, like the time Dad shuddered violently in bed, as though shaken from sleep by unseen hands. Without thinking, Duncan, who sat on a chair at the side of the bed, shot out his hand to rest it on his father’s shoulder:

“Maybe it was something those two people gave me,” Dad said, in reply to a question Duncan hadn’t yet asked.

“What people?”

“The two golden ones.” The arrival and departure of his resplendent guests seemed as commonplace to Dad as the coming and going of the nurses (who’d all left for the day) or Duncan himself.

Finally, on a dreich Friday afternoon, Dad succumbed. It began with clamour and confusion, the doctor rushing to the old man and nurses shouting down the stairs to Duncan. Although surrounded by people, Duncan was the only living relative at his side. Father and son had held hands momentarily before Dad’s slipped from Duncan’s, his skin cold and clammy.

“Don’t leave me.” Duncan recalled these words but couldn’t remember afterwards who had said them – he or his father.

“I see something.” That was his father.

“What?”

“I don’t know. Something ahead.”

“Does it look good?”

“Maybe.”

Duncan found himself wanting to reply, “Why don’t we go there together, Dad? I’ll hold your hand.” This came as a shock to him. But he couldn’t, perhaps because of the company in the room, or because he knew the hour was too late for sentiment. Later, he tried to recall what he had finally said, but those words had disappeared, melting away along with Dad, never to return.

Now the place was his, the house and the estate. And he was damned sure he was going to milk it for what little it was worth. Duncan pushed aside thoughts of Dad and returned to the more pressing needs of the living.

That evening, Duncan dumped all the paperwork he no longer needed outside in the blue bin. It was chilly but his head was fuzzy from working and he needed to unwind. He pulled on his fleece and wandered through the rain to the shop on the corner of Oxford Road. He fancied walking into town and sinking a few pints in the Jimmy Watt, but he wouldn’t know anyone and it was too late in the evening to sit drinking alone in a pub. Instead, he bought whisky and then found a Chinese take-away.

The first nasty surprise he received upon entering the house again was the darkness. He knew very well he’d left all the lights on. The fuses must have blown. Dropping his food and booze, he wandered through the house to the box, but no – the fuses were fine. At that very moment, with a pop, every light flickered back to life.

Returning to the hall for his bags, he was perturbed to find the picture of Dad sitting back up on the telephone table, the wicker bin kicked deep beneath it. Nobody had been in the house all day except for him. Certainly, he hadn’t picked it up again.

Almost glad that the rustle from the bags provided some noise, some company, in the silence of the house, Duncan wandered to the kitchen and plated up his meal. He poured a tumbler of whisky and took a swig. The door from the kitchen to the living room was ajar. Tired and cold from his walk, but nervous still from the curious discoveries he’d made upon arriving back, he took another gulp.

And then it happened.

Beneath the living room window sat his father’s armchair. It leapt forward, shunted not by human hands, but jumped, thrust suddenly across the carpet, blast by some kind of surge of energy, a full two feet from where it should have sat.

Tuesday, 4 December 2012

Shop Local for Christmas....

detail from Bloom by Mhairi M Robertson

If you are looking for something different for folk this Christmas, and want to support local artists and enterprise while yer doing it, here's a few suggestions...

First up, why not treat someone to a print from local artist Mhairi Robertson. Mhairi takes her inspiration from local folklore and so her striking and original artwork all has a story to tell. She is very busy just now illustrating for our childrens book next year. Visit Mhairi's gallery here and get choosing...

For a whole range of wooden gifts and goods, many with a local heritage connection, pop along to Inverclyde Community Development Trust's shop at The Dutch Gable House. You'll find traditional woodcuts of local myths and legends, historic ships and handmade Christmas decorations, rustic cheeseboards and nativity scenes all made with reclaimed and recycled wood. If you're very lucky, you might also still be able to grab a FREE copy of the Trust's Identity Graphic Novel / Greenock Morton book.


The Dutch Gable House is also one of the places you can get your hands on Scotchpotch, a miscellany created and collected by our good friends at Greenock Writers Club. All profits to charity as well!


Magic Torch will also have an EXCLUSIVE stocking filler in the shop this year, from our all new Magic Torch Comics imprint, a fully licensed replica of Thriller Picture Library - Captain Kidd Buccaneer, a tale of swashbuckling skullduggery on the high seas featuring Greenock's very own questionable pirate William Kidd. Only available at The Dutch Gable House from mid-December, and for less than half the price of a pie supper*.


There are of course lots of other local retailers and artisans you can buy from this Christmas, you'll find much more comprehensive listings than ours on MyTownHomepage and Simply Local. For example, Gourock Kempock Street Traders Christmas Shopping Night on Thursday 6th December.

Local shops, for local people. In a good way.


*correct at time of blog entry, Pie Supper prices may fluctuate rapidly rendering this comment slightly less accurate

Sunday, 18 December 2011

Midwinterfestivusmas

It’s the most wonderful time of the year – especially if you’re a dusty old historian or perhaps a militant atheist – because this is a great time to try to disavow people of their popularly held wintertime beliefs by sucking all the fun out of them with “facts”.

Here at Magic Torch we are (and I use the term carefully) “a broad church”, from non-believers through to true-believers; but even the most secular of our band of merry men still enjoys the odd Christmas carol without worrying that we’ll be sent to stand in the corner by Richard Dawkins. Where do you draw the line? Not using the NORAD Santa tracker cos it might not be 100% scientifically accurate? Go on…enjoy yerself ya big Grinch.

As such, we’re taking a wee momentary break from our regularly scheduled Ghost Story programming to share some Christmas fakelore with you all. Some of these midwinter spoilers are true, some of them aren’t. Go google em. And I guarantee you’ll find stuff even more strange than what we’ve listed below.

Enjoy yer midwinter festival and all it’s trappings and traditions, whatever they may be.

The Ho Ho Horror!
Such is the reach of the evil capitalist machine, that many people believe Santa’s red clothing is a result of the Coca Cola company turning his traditional wintergreens into their lovely corporate colours. In fact, Santa’s red is representative of skinned reindeer pelts which the shamanic figure wore inside out like a proto Lady Gaga meat dress.

Santa is presented as a “jolly old elf”, however in other countries, supernatural creatures punish or eat naughty children during the festive period. Bavarian Christmas markets are regularly terrified by the seasonal arrival of Krampus, goat-headed troll monsters. Krampus previously used to accompany Santa on his travels, punishing bad children not with coal, but by pulling them up by their ears and then beating them with birch sticks. That'll learn em. Interestingly, it has been statistically proven that Northern European children are up to 80% better behaved than those in the UK.


Wassail!
The 12 Days of Christmas song is believed by many to be a form of coded worship for Christians fearing Puritan persecution. In actuality, only fragments of the song existed prior to the nineteen seventies when marketing executives decided to rewrite it for a Bernard Matthews Turkey advertising campaign. The version now most popularly sung originates from this time.

The b-side to Slade’s original pressing of “Merry Christmas Everybody” was a spoken word reworking of “A Child’s Christmas In Wales” cheekily retitled “A Child’s Christmas in Wolverhampton” which catalogued northern industrial poverty in the 1970s.

Cliff Richard’s popular Christmas classics (Mistletoe and Wine, Saviours Day) were in fact a deliberate, targetted response to Paul McCartney’s loose “trilogy” of Christmas singles (Wonderful Christmastime, Pipes of Peace, We All Stand Together) which Cliff viewed as promoting a distinctly secular, humanist view of the season. Cliff Richard actually wins this battle, cos both his songs got to number one. Mull of Kintyre WAS a Christmas number one. But for a variety of reasons it doesn't count.


What The Dickens?!
The popularity of Charles Dickens “A Christmas Carol” led to a whole slew of imitations and unauthorised contemporary sequels…this was quite common in Victorian periodicals. The sequels continue to this day. Popular themes include “Tiny Tim – Victorian Detective” or “Vengeance of Marley’s Ghost”.

Oscar Wilde wrote a satirical sequel which took aim at the “crass sentimentality” of the story, thereby rather missing the point. It was never published. I bet it was very clever.

In Dickens time “humbug” had a different meaning…it was a term approximate to “hypocrite”. So when Scrooge says “Bah! Humbug!” he is not criticising the season, but in fact, the hypocrisy of people who are pretending to be nice because its Christmas. Humbug indeed.


Daily Mail - Fear of Fun
Last year a “right-on” school in Kent made the Baby Jesus a girl in the nativity and her adoptive parents were gay gypsies.

British made Christmas Crackers will no longer feature “offensive” jokes about blondes, the mother in law, stupid people or anything which may be deemed upsetting to animal lovers. But The Only Way Is Essex is still allowed on the telly.

A recession conscious council in England has refused to erect their traditional “Santa’s Postbox” this year in case it might “unrealistically raise children’s expectations in a financially challenging climate”.

A leaked document has revealed Scottish Nationalist plans to cancel Christmas in an independent Scotland, and replace it with a new festival, McMacmas. Liz Lochead is to write a new "tartan" version of the nativity which Scottish schoolchildren will be forced to learn.

If you’re in the mood for more Christmas fun, check out this folklore inspired Christmas vid from my Stramashed blog. Santa's Little Werewolves...


Sunday, 12 December 2010

Jolasveinar

A tale of unease set at Christmas during the second world war...




Historical Note
Greenock was the embarkation point for some of the ships sent to Iceland during the "occupation".
The Jolasveinar tradition is still celbrated in Iceland...you can get really cool decorations and figurines. Check out these images.

Also, here is a wee Christmas Carol about them sung by Bjork