Showing posts with label galoshans. Show all posts
Showing posts with label galoshans. Show all posts

Monday, 2 October 2017

The Galoshans Play



Now that it's officially October, it's exactly the right time to start rehearsing your Galoshans Play.

In 2016, Magic Torch received funding from Heritage Lottery Fund Scotland to help revive the tradition of performing The Galoshans Play. I wrote a new version of the play which includes characters from the myths and legends of Inverclyde as the main characters, including Auld Dunrod, Granny Kempock and Captain Kidd. This year, RIG Arts have worked with local schools to create gigantic puppets of the local folk characters from the play - and you will be able to see them during the parade on Saturday 28th October.

Over 6000 free copies of The Galoshans Play were distributed to local primary schools last year, but if you didn't get one, fear not - you can still download it for free. Or there are a limited number of copies available from 7 1/2 John Wood Street - you can come in and pick them up for free.

You can see some of the videos from last year or read more about the history of the Galoshans on our dedicated page.

And of course Halloween is the ideal time to purchase and enjoy some of Magic Torch's award winning spooky books and comics featuring scary stories from Inverclyde and beyond, including our "Dad's Army with witches" all ages comic The Skeleton Key.



Have a frightful Galoshans.


From the Haunted Air project



Monday, 19 December 2016

Magic Torch 2016 Review

22 Pages Exhibition Artwork - Mhairi M Robertson

2016 was, lets be fair, a pretty rubbish year on many levels. However, in between the moments of inescapable darkness, teetering over chasms of endless despair, Magic Torch did have great fun with our projects.

There was our awesome 22 Pages exhibition at Paisley Museum - which reinterpreted key Scottish events and characters as comic book covers. Hopefully, more folk will get a chance to see the exhibition again next year.

22 Pages Exhibition Artwork - Andy Lee

Our First World War graphic novel Achi Baba - Gallipoli 1915, won a national award for innovation from the Community Archives and Heritage Group. You can still read Achi Baba for free online.

We were supported by Heritage Lottery Fund Scotland and Inverclyde Place Partnership to reinvigorate the tradition of performing a Galoshans play at Halloween. We created a new version of the play, which you can read and download for free, and film-maker David Newbigging filmed the projects workshops in schools and also a performance of the play by our new Galoshans Troop volunteers.






We published our first adventure of the Rowan Tree Legion - The Skeleton Key - a Dad's Army with witches romp, inspired by local legends and featuring a few local landmarks. Skeleton Key is available from the Magic Torch Comics shop.

Rowan Tree Legion - The Skeleton Key by Paul Bristow and Mhairi M Robertson

And of course, more than anything else, we made lots of comics this year, with Magic Torch Comics getting support from Firstport to develop into a separate educational social enterprise. We created comics with Whinhill Primary, Gourock Primary, Newark Primary and Ardgowan Primary. All this years comics, with schools and for various events, can be read for free on our Magic Torch Comics ISSUU page or below.





2017 is the Scottish Year of History, Heritage and Archaeology - and we have a few projects lined up already. Comic wise we have our adaptation of John Donald's The Stowaways created with Ardgowan Primary for the Heritage Inverclyde project. And we will finally be publishing our Captain Kidd graphic novel in May.

We'll also be working on a new comics project with Notre Dame High School. And hopefully, we'll be delivering on our new interactive fictions project IF / Then - with all sorts of unusual creative outputs. Fingers crossed.

For now, be merry, be safe, share stories and hugs with your nearest and dearest.

See you in 2017.

The Stowaways created by Magic Torch Comics and Ardowan Primary School for Heritage Inverclyde

Monday, 24 October 2016

Galoshans Play Performances


We have two different versions of The Galoshans Play for you to enjoy during the Galoshans Festival this year. Our new version, presented by volunteers is on Saturday 29th October at The Dutch Gable House in William Street, Greenock. Performances are at 12 noon and 3pm. It's free to attend, but spaces are limited.



The second version, you can see on Sunday 30th October at 3pm in The Dutch Gable House. This is Shane and Stan's puppet theatre version, which has been performed around local schools over the last few weeks. Again, the performance is free - but this one is ticketed. Contact auld.dunrod@gmail.com to book your tickets.

And of course, you can download our new adaptation of the play for you to perform yourself.

Wednesday, 12 October 2016

What IS a Galoshan?

From the awesome Haunted Air project...
As part of the Galoshans Festival in Inverclyde, we're celebrating the roots of the term "going galoshans" and sharing new versions of the traditional play which used to be performed door to door at Halloween and New Year in Scotland.

Sokonbauno Theatre have been out sharing their puppet theatre version of the Galoshans Play with Aileymill Primary School and helping the school create and perform their own versions of the play.

Sokobauno and Magic Torch are also working with Trust Volunteering to recruit and train a new troop to create, rehearse and perform a new adaptation of the play throughout the Galoshans Festival, and to carry the torch of this reinvigorated tradition into the future.

Call Laura or Amanda on (01475) 553334 if you are interested in being involved. Volunteers must be 16+.

The video below sees our gallant Galoshaneers Stan Reeves and Shane Connolly explain the roots of the play - and share some Mighty Boosh style cardboard masks...


A big thank you to artist and film-maker David Newbigging for filming this short for us, David will be filming the whole Galoshans play process for a short documentary which we'll share later this year.

David is also working on his own film project just now - Benchmark 6. Really worth a look.

Tuesday, 4 October 2016

Going Galoshans 2016


We're heading into Magic Torch's favourite time of year - autumn leaves, crisp mornings, terrifying ghost stories...the season of the witch is almost upon us.

We've lots happening over the next few months, kicking off with our new Going Galoshans project, supported by Heritage Lottery - Sharing Heritage fund and Inverclyde Place Partnership.

As part of the Galoshans Festival in Inverclyde, we'll be celebrating the roots of the term "going galoshans" and sharing new versions of the traditional play which used to be performed door to door at Halloween and New Year in Scotland.

Sokonbauno Theatre will be sharing their puppet theatre version of the Galoshans Play with Aileymill Primary School and Newark Primary School, and helping the school create and perform their own versions of the play.

And we are working with Trust Volunteering to recruit and train a new troop to create, rehearse and perform a new adaptation of the play throughout the Galoshans Festival, and to carry the torch of this reinvigorated tradition into the future. Volunteers must be 16+. Call Laura or Amanda on (01475) 553334. More info below...





Here are the marvellous Sokobauno Puppet Theatre performing the play a few years back. As well as being performed in schools, there will be a one off performance of the play in the Dutch Gable House on Sunday 30th October at 3pm.





Plus! Magic Torch Comics will be launching our new graphic novel The Skeleton Key on Saturday 28th October as well. So it's all go. Hopefully see you around.



Monday, 13 June 2016

The Skeleton Key - Cover Reveal


Here's the cover for our "witches at war" comic, The Skeleton Key - which introduces the Rowan Tree Legion.

The 48 page all ages comic has been created by Mhairi M Robertson and myself, and it will be released in October 2016, during the Galoshans Festival. We can't wait to share it with you.




Saturday, 31 October 2015

The Black Soul Gang



For Halloween, our resident archivist Neil Bristow, delves into the dark notebooks and diaries of Sir Glen Douglas Rhodes...


A night such as tonight - when the wind rattles the slates and whistles through the keyhole - brings to my mind tales best told among friends around a warm fireplace.

But this All Hallows Eve finds me alone; a pipe in one hand and a generous dram in the other, my eyes running over the shelves, looking for a particular well-thumbed tome.

And then I hear it - the chatter of voices, and the familiar clip clop of two legged hooves, charging down the lane. An almost frantic knock on my door wakes me from my library wanderings, and draws my eye to the clock. The hour is late. But still they have come. The gang is here.

I open the door, greeted by a sight of 6 young boys, not one of them over 12 years old. And in a tradition as ancient as the oaks blowing in the wind, they announce themselves with a song.


"Soul! Soul! for an apple or two;

If you’ve got no apple, pears will do,

Soul! Soul! for your soul’s sake,

Pray good mistress, a Soul Cake!


An apple, or pear, a plum or a cherry, 


Or any good thing to make us all merry. 


St. Peter was a good old man, 


And so for his sake, give us one.

None of your worst, but one of your best, 


So God may send your souls to rest. 


Up with your kettles, and down with your pans, 


Give us a Soul Cake and we’ll be gone!”


Their masks are crude, their guises tatty and ragged - just as it should be. I meet their ritual with my end of the bargain, distributing to them each an autumn apple from my barrel, and send them on their way into the gloomy night.

As they rattle down the lane, they give me pause for thought. They know the ritual. They know their part. But meaning has given way to indulgence, and we are perhaps all poorer for it.

They call it galoshans. But as I return to the fireside, my eyes fall on the tome I was searching for earlier and I recall the darker origins of the phrase.

They have not gone galoshans. They have gone a souling. And I read on with some hesitation; the tale of the Black Soul Gang….

Long ago, not too far from the cobbled streets of Greenock (or perhaps further than the tale recalls), there was a village high up on the moor. Here the old folk might still recall, if asked, the tale of Old Tam Cole, or the Bell That Rings Neath the Knowe. Good tales for telling, but neither as somber as the most well known fable in village - that of the Soul Gang.

In those days, on All Hallows Eve, Soul Gangs would go from farm to farm performing the souling plays of old, begging as they went for ale and the odd morsel of food. A favorite of this particular gang was the death and resurrection play, of which I recount a small excerpt for your amusement.

"We are one, two, three good hearty lads, and we are all in one mind,
we have come a-souling , good nature to find,


And if you will give us one jug of beer,
We will not come a-souling, till this time next year.

Step down in your cellar, and see what you'll find,


There is ale, rum, gin and brandy, and all kind of wine,


And if you will give us one jug of beer,”

We'll not come a-souling, till this time next year.”


Now on one particular occasion, they came to the door of Old Farmer Lindsay.

The gangs chief banged heavy on the door, ringing his bell and announcing himself;

'Open this door and let all our brave and gallant actors in,

I am Beelzebub,


On my shoulder I carry a club,


In my hand a dripping tin,


Ring ting ting.'


Lindsay, a superstitious man was known for his miserly ways, and when met with boys of the Soul Gang, he parted with tradition and parleyed their chorus with a heavy slam of his farmhouse door.

Not content with this response, the Soul Gang took their vengeance - sneaking into Old Lindsays barn, they helped themselves two a barrel of cider. A breach of the ancient rules of Soul Gang - they had taken what was not freely given, and had damned themselves in the process.

A broken bargain on both sides is ill for all parties; and as they made their way across the moor, the wind whipping their ragged guises, they may not have heard old Lindsay whispered a curse upon them; “if they take something of mine, I shall have something of theirs."

And cursed they were. For as the hour waned, one by one the boys of the Soul Gang found themselves lost in the mists of the moor. And with each step they took, they wandered further from the path. Calling out to one another, they tried in vain to find their way; but slowly, and with a somber inevitability, one by one they were lost to the mire.

In years to come, villagers would not venture out along on All Hallows Eve. And all among them would swear that when the mist descended upon the moor, and the air was silent and still, you could hear the ringing bells of the Black Soul Gang; seeking their way back from the hinterland; a warning to keep trust with tradition, lest you loose your soul and perhaps more.

I closed the tome, returning it to its rightful place on the shelf. And as the last em
bers of my fire dimmed, I was sure I could hear the faint sound of a bell, carried on the mist. 


Wednesday, 14 October 2015

Galoshans Are Go

Haunted Air

It's your two week warning for essential folk play preparations!

This year, Inverclyde is actually having a whole Galoshans Festival, with all sorts of weird, wonderful and unusual stuff going on in and around the town. Check out the programme. We'll be along at The Dutch Gable House during the weekend.

And once you've had fun at the festival, be sure to be Going Galoshans and performing your own version of the traditional play which has inspired the festival....

Read and download The Galoshans Play for free via Scribd

And you must check out the Guising and Galoshans resource pack from the lovely folk at the Scottish Storytelling Centre, which has scripts, songs and games for you to use.


For other Halloween and Galoshans related fun...

See a version of the play recorded in The Dutch Gable House for Inverclyde TV...

Read about Greenock's other Halloween Traditions


Listen to our popular spooky tale Malkie and The Bogle....




Enjoy an illustrated reading of The Ballad of Auld Dunrod...




And finally, below is a wee sinister glimpse of Andy Lee's reimagining of the traditional play characters for a folk horror comic based on the play, which is in development at the moment...




Tuesday, 22 September 2015

Galoshans Festival



At Magic Torch, we've always been big fans of the history and folklore surrounding Galoshans, so we're pleased to see that it will be celebrated this year with a new festival - and there's plenty of things for people to get involved in.

You can find out more about the festival on the Galoshans facebook page and website.

And there's a smashing resource pack on Galoshans and Guising which has been produced by the Scottish Storytelling Centre.

Thursday, 16 October 2014

Galoshans Are Go!

Haunted Air
As ever at this time of year, we like to give you the opportunity to download our FREE Galoshans / Witch Trial plays for you to entertain and horrify family and friends. And remember, if you do perform the plays, why not record and share them. (yknow...within reason...)

You can hear more about Galoshans and other local traditions, at the Traditions In Place festival this weekend in the Beacon Arts Centre.




Wednesday, 30 October 2013

Merry Galoshans! Tales of the Oak Comic - Now Online!


Just in time for Halloween tomorrow, you can now read a slightly edited digital version of our Tales of the Oak comic, available free online via scribd. Don't say we aren't good to you. Or else. Hopefully we'll get the resources sorted to get a special expanded digital edition out via comixology, ibooks and kindle etc later in the year.

Almost 1000 copies have been distributed and the final free glorious paperback copies will be available next month as part of Book Week Scotland...we may well reprint em one day, but then they will no longer be free! Catch em while ye can.



Also still available is Wee Nasties, our Galoshans Play and a Witch Trial for all the family to enjoy.
Even better, the good folk of Greenock Players popped along to The Dutch Gable House on Saturday, to perform and film a traditional Galoshans play. Check it out.

Ahem. With all that free stuff, it seems like a slightly less awkward than usual moment to draw your attention to our forthcoming ebook A Nip in The Air...exclusively available for Kindle. For a mere 99p, less than a pumpkin or bag full of monkey nuts, you can help contribute towards our next year projects, while also getting a wee fright. Bargain! Don't worry, I'll remind ye again...

http://www.amazon.co.uk/A-Nip-Air-PJ-Bristow-ebook/dp/B00GFU5UGS/ref=sr_1_1?ie=UTF8&qid=1383642778&sr=8-1&keywords=a+nip+in+the+air

Saturday, 13 October 2012

Ready, Set, Galoshans...



It's Galoshans time again, so once again, we're making our free and printable version of the Galoshans play available for download. Try celebrating Hallowe'en a wee bit differently this year. You've got plenty of time to practice.

The Galoshans Play


And if you really want to try something different, this year we're also sharing our wee Everyman style play from our Tales of the Oak book - a play based on the Christian Shaw witch trial case.

The Orchard


It's also time to terrify friends and loved ones with All Hallows Read, where you share your favourite scary book. This year, I will be convincing folks to read Locke and Key by Joe Hill.

In other seasonal news, we also hope to have a wee open day for collecting any scary stories you may have on Saturday October 27th, more news soon.


UPDATED-
In October 2013, the Greenock Players popped along to The Dutch Gable House to perform a version of this play. Check it out on Inverclyde TV.

Monday, 31 October 2011

Auld Dunrod's Legacy




It wouldn't be Halloween time without a look at Inverclyde's favourite Warlock; landed gentry turned evil witchlord..Alexander Lindsay of Dunrod.

It was rumoured that Dunrod became involved with witches living on his lands in Inverkip, gathering with them at Dunrod’s Seat, located on the slope of Dunrod Hill. Further rumours suggested that he entertained the Devil himself at his castle. It is worth noting the possibility that Dunrod had inherited his connections to the practice of witchcraft from the Lindsays; it is now thought in some circles that members of the nobility at that time were involved in a highly organised cult which they used for their own means. Some would argue they still are.

The image of Dunrod as a dark and powerful Warlock is a far cry from the man he was at the end of his life; he was a penniless hermit, his lands having been seized by the Kirk in recompense for his evil deeds, selling charms and potions at the Greenock riverside to any who would entertain him. Dunrod died soon after in a barn on his former lands in East Kilbride.

As recently as a century ago, parents enforced children’s bedtimes with the chilling promise that ‘Auld Dunrod’ would get them. Thus, this larger than life character has become woven irrevocably into the folklore of the area, celebrated in numerous tales passed from generation to generation, and most famously in two anonymous poems commemorating his dark deeds.

“The Ballad of Auld Dunrod” is thought not to have been written down until more than a century after Dunrod’s death, and was probably composed while Dunrod was extant. Presented in its fullest original form, the poem chronicles his black deeds, and ends rather cryptically with Dunrod flying on his broomstick to the Bogle Stone; this, in turn, gave rise to a second poem, “Auld Dunrod’s Vision at The Bogle Stane”. The second piece was composed a good many years later than its companion, and gives an account of a mystical vision Dunrod experienced at the Bogle Stone, concerning Inverclyde’s past, present and future. At this point he may have been "drucken on the barley bree".

You can still see our short experimental film featuring a recording of the poem by our old english teacher on youtube. And Dunrod randomly makes 21st Century appearances via his evil facebook page and haunted twitter account.

This recording of "The Balld of Auld Dunrod" was made for our Downriver project. It features
Jim Lang and some appropriate  spooky noises.

Jim Lang : The Ballad of Auld Dunrod by Auld Dunrod

The Ballad Of Auld Dunrod

Auld Dunrod was a gowstie carl,
As ever ye micht see;
And gin he wisna’ a warlock wicht,
There was nane in the haill countrie.

Auld Dunrod he stack a pin -
A boutrie pin - in the wa’,
And when he wanted his neighbour’s milk
He just gaed the pin a thraw.

He milkit the Laird o’ Kellies kye,
And a’ the kye o’ Dunoon;
And auld Dunrod gat far mair milk
Than wad mak’ a gabbert swim.

The cheese he made were numerous,
And wonerous to descry
For the kyth’t as gin they had been grule
Or peats set up to dry.

And there was nae cumerauld man about
Wha cam’ to him for skill,
That gif he dadna dae him guid,
He didna dae him ill.

But the kirk got word o’ Dunrod’s tricks,
And the Session they took him hand;
And naething was left but auld Dunrod
Forsooth maun leave the land.

Sae auld Dunrod he muntit his stick -
His broomstick muntit he -
And he flychter’t twa’r three times aboot,
And syne through the air did flee.

And he flew awa’ by auld Greenock tower,
And by the Newark ha’.
Ye wadna kent him in his flicht
Be a buddock or a craw.

And he flew to the Rest and be Thankfu’ Stane -
A merry auld carle was he;
He stottit and fluffer’t as he had been wud.
Or drucken wi’ the barley bree.

But a rountree grew at the stane -
It is there unto this day,
And gin ye dinna find it still,
Set doun that it’s away.

And he ne’er wist o’ the rountree
Till he cam dunt thereon;
His magic broomstick tint its spell,
And he daudit on the stone.

His heid was hard, and the Stane was sae,
And whan they met ane anither,
It was hard to say what wad be the weird
Of either the tane or the tither.

But the Stane was muilt like a lampet shell,
And sae was Auld Dunrod;
When ye munt a broomstick to tak a flicht,
Ye had best tak anither road.

The neighbours gathert to see the sicht,
The Stane’s remains they saw;
But as for Auld Dunrod himsel’,
He was carriet clean awa’.

And monie noy’t, as weill they micht,
The Rest and be Thankfu’ Stane;
And ilk ane said it had been better far,
Gin Dunrod had staid at hame.

And what becam o’ Auld Dunrod
Was doubtfu’ for to say,
Some said he wasna there ava,
But flew anither way.


goustie - ghostly, unearthly
boutrie - of the elder tree
Laird o Kellie - Bannatyne, the Laird of Kellie in Innerkip Parish
soum - make a lighter swim
grule - appeared as if they had, like moss, ben baked in the sun
flychterit - fluttered
huddock - from a carrion crow
wud - bounded and whisked about
barley bree - ale
rountree - mountain ash
daudit - fell violently down
muilt - crushed
noy’t - blamed
ava - at all


And in closing, we were delighted today to see this bit on the BBC news, and in fact all over the press; a local Greenock school, defending their right to Go Galoshans! Well done Aileymill.

Sunday, 30 October 2011

Winter Fires


A couple wander through the street of 18th century Greenock on Halloween....

It was a perfect Halloween night, cold and clear, and Bobbie had come calling on Mary so they could walk out in the moonlight.
“Mary! Yer man’s at the door!”
“Coming!”
Mary ran to the door, wrapping a green shawl about herself.
“Ah brought a lantern in case it gets dark,” smiled Bobbie, holding up a turnip. “Howked it oot yesterday.”
“And whose face is this,” asked Katy, pointing at the crudely carved lantern “only it looks awfae like yerself.”
“Is that so?”
“Bobbie I have to take this shawl back to Katy. She’s jist doon at the bottom end o’

Charles Street
. Will you walk with me there first?”
“Of course I will.”
Bobbie and Mary wandered out into the cold evening, already little flocks of goloshans scuttled busily between tenements, working hard for their bounty. But at the bottom of the street, one company did not look quite so happy.
“Look, it’s Katy’s youngest, ah better go and see what’s the matter.”
A small crowd of girls huddled around a sobbing girl, much younger than the rest.
“Betty? Betty what’s wrong?” asked Mary.
“They keelies knocked ower wee Betty’s curly kail.” explained an indignant young lady, pointing to a gang of boys, already disappearing around the corner 
“Did they now?”
“Mah candle fell out.” She sniffed, holding up the broken kail-stock.
“That’s terrible Betty. You can have mah lantern if you like.”
Wee Betty smiled as Bobbie handed over his lantern.
“Ah yer face is lit up like a wee lantern itself.”
“C’mon Betty, we’re away tae yer mother’s jist now. Time fur you tae go home ah think.”
Happy with her new toy, Wee Betty skipped and sang the whole way home.
“Tell your mother we’re here Betty.” Said Mary, but Betty had already run into the house. Smiling, Katy waved them both in.
“Hello Katy, Bobbie and me are oot walkin’ and I jist wanted tae return yer shawl.And wee Betty.”
“Hullo you.” Said Katy as Wee Betty scurried over to her brother and sisters. “Thanks Mary, but ye didnae need tae hurry back wi’ it. Come away in.”
Katy’s house was bursting with children; half a dozen were crammed around the bath tub trying to get to the apples that floated there and a small group of older girls were whispering and laughing conspiratorially by the fireplace.
“Look whose come come tae visit!” said Katy “Mary, and her handsome young man Bobbie.”
“Hullo Katy! Hullo Bobbie!”
“Bobbie these wee yins aw dressed and dookin’ are Johnny, Kerr, Jamie, Conn and Morven. Ye’ve met wee Betty.”
“Bobbie gave me his lantern!” explained Betty.
“Handsome and a gentleman. Hang ontae this yin Mary. The lassies standin’ by the fire lookin’ aw shy and pretty are mah eldest Agnes and her friends Polly and Rhona.”
The girls giggled as Bobbie bowed
“Ye’ve jist missed the play.” Said Katy.
“I was Galatia!” said Kerr.
“And who wis the Doctor?” asked Bobbie, “Ah wis aye the Doctor.”
“Me!” squealed Johnny.
“Ah should’ve guessed! And what can you cure?”
Johnny smiled.
“The itch, the pitch, the palsy and the gout. If a man had nineteen de’ils in his skull, I’d cast twenty one of them out!”
“Ah bet ye would.” Laughed Bobbie.
“When are we burnin’ the nuts?” asked Agnes.
“Och ye’ve been harpin’ on aboot that aw night!”
“Please?”
“Right.” Said Katy “Stoke it up then, Johnny you fetch the nuts.”
“But ah want to dae the treacle scones.”
“You’ve jist had yer fun wi the Galoshans, it’s Agnes and the girls turn now.”
Johnny stomped off looking not at all amused.
“Who’s first?” asked Mary.
“Me Mary! Me!” said Agnes.
“Well then, and who’s the young man?”
“Stuart McGhee.” Laughed Morven.
“Oh really?” said Katy “The wee boy frae the market? Aye he’s fine right enough.”
“Mother!”
Johnny returned with a small bag of nuts, Mary took two from the bag and handed them to Agnes.
“On ye go then.”
Agnes placed the two nuts in the fire, and the room watched and waited until…with a tiny crack, the nuts burned and glowed together.
“Oh Agnes! There’s a good omen fur ye!” said Mary.
“Aye.” Agreed Bobbie “Look’s like ye’ll be goin’ tae a weddin’ Katy.”
“As long as ahm naw goin’ tae a christenin’ first ah don’t mind.” Said Katy, looking towards Agnes, now flushed scarlet with embarrassment.
“Who’s next?” asked Mary “Rhona?”
“Aye okay.” Said Rhona. “But ahm naw sure which boy ah prefer.”
“Well, let the fire decide fur ye!” said Mary.
“Right. Well ah’ll start wi Wullie Johnstone.”
“Rhona! He’s rotten!” said Polly.
“Aye well it’s naw up tae you is it? It’s up tae the fire.”
“Right ye are.” Said Mary.
Rhona put the two nuts in the fire, and again they waited…then once again, the nuts crackled and burned.
“His jumped Rhona!” said Polly. “His nut jumped away. See ah told ye. Try somebody else.”
Mary handed the bag to Polly and stood up.
“Are you no takin’ a turn Mary?”
“No thanks Polly. Ah think Bobbie and I should be off.”
Katy walked over from the stove.
“Are ye no stayin’ fur blind man’s buff and apple dumpling?”
“No Katy, sure Bobbie and me are going for a wee walk”
“So ye are. Here then.” Smiled Katy “You’ll be wanting this for later.”
Katy threw Mary an apple and winked.
“Huv a nice walk.”

Outside, gangs of lanterns still huddled together and bobbed along the cobbled paths, their candle light glowing around each and every corner of the densely packed streets.
The two wandered up towards the darkness of the Crow Mount, the chants of the children following them up the hill.
“Hallowe’en, a nicht at e’en,
Three witches on the green,
One black, one white,
One jumping over a dyke.”
Further up the hill, well beyond the path, a little orange column of smoke trickled up between the trees.
“Look there Mary.” said Bobbie, “Can you see the wee fire gaun?”
“Aye.”
“Well, the one burnin’ that fire is the Witch of Lochwinnoch.”
“Is that so?”
“It is Mary. It is. They say she comes down here every seventh Halloween for her own wee black mass.”
“It’s as like to be a farmer out burning leaves.” laughed Mary.
“Aye it could be. It could be right enough. Still…ye'll huv heard aboot aw the witches doon at Inverkip."
"Aye. Poor lassies.” Mary shook her head.
“Ye don’t believe in witches?”
“Mebbe there used tae be witches. Mebbe. But everyone knows they girls were killed for their faces didnae fit.”
“That’s as may be. But there are witches Mary. There’s witches around still.”
“Ach Bobbie stop tryin’ tae scare me.”
“Oh ahm no tryin’ tae scare ye. Ahm jist explainin’ the facts o’ the matter. There are still witches. They’re not all bad right enough. There’s a wee wifie down the coast still makes a decent livin’ oot o curin’ folk and tellin’ fortunes. Aye. Good witches, but there’s still plenty bad yins. It wis a grey day in December, naw too long ago, and a cousin of the local landowner wis to be laid tae rest in the family vault. Aw the mourners filed through the kirkyard up tae the crypt, which stood at the top end o’ the cemetery. As they passed an old grave, the turf split and tore and a witch jumped out shrieking. She started tearing at the hair of the lassie nearest her, and clawing at the men who came to her aid. This witch was an auld enemy of the landowner, and had cursed him and all his kin. Damned as she wis, she wisnae gonnae let the funeral pass. The men grabbed her, and tried tae push her back down intae the ground, but she hauled and howled and whirled. At last aw the men were at her, tryin’ tae push her back down tae hell, but she wis haudin on tae the cemetery wall. Pushin as hard as they could, the mourners kept forcing her back down and finally she lost her grip and she fell. And tae this day, if ye go up tae the back wall of the cemetery in Innerkip, ye’ll see the five wee holes her gnarled old fingers left in the wa’.”
“Is that true Bobbie?”
“Well ah’ve seen the holes fur maself Mary. As tae the story, well, ah’ve jist telt you as it wis telt tae me.”
Mary stopped to sit by some rocks.
“Ah wonder if aw the girls have found true love at the fire yet.”
“Ach they’ll be there aw night wi’ a list o’ different names.”
 “We used tae do a thing a bit like that. Ye’d thraw a clue of blue yarn intae the kiln, and wind it back tae yerself. As ye’ve almost wound it aw back, somethin’ will haud the thread. Ye pull on it and ask ‘Who hauds?’ Then, whatever’s in the kiln has to tell ye the name of your true love.”
“Playin’ wi spirits! Ahm surprised at ye Mary.”
“Ach nobody ever answered. Naw tae me anyway.”
“Ye couldn’t huv been askin’ the right spirits.”
For a time, the two sat in silence, watching the smoke from the hill fire drift in front of the moon.
“Walk me home Bobbie.”

There were still a few groups of children wandering around the streets, but now, those little gangs of goloshans were giving way to older gangs of ne’er do wells, already thrown from the pubs and taverns at the far end of the town; they too had their songs and dances to perform, though people were less inclined to enjoy them.
Bobbie walked Mary to her door, and kissed her gently on the cheek.
“Goodnight then.” She said.
“Night Mary.” Said Bobbie “See ye soon.”
Mary climbed the stairs to her house, and quietly opened the door. Everyone seemed to be sleeping, just as she’d hoped. Taking care not to make a sound, she took the comb and the candle from beneath her sheets where she had hidden them. The candle she placed by the looking glass, the comb she held in her left hand. Finally, she took the apple from her pocket. Mary lit the candle and took a bite from the apple Katy had given her. Closing her eyes, Mary slowly combed her hair, starting to feel a little silly. She counted to twenty and could manage no more, she opened her eyes and stared into the mirror. There was no one behind her. More disappointed than she would admit, Mary smiled to herself.
“No true love for me then.”
She set the comb to one side and took to her bed, the laughter and songs of the children still echoing around the streets.

Thursday, 13 October 2011

Going Galoshans - 2


Today we are very pleased to pass on a version of The Galoshans Play for you to adapt and perform at your leisure this Halloween and in hopefully in the future. A wee bit of a living tradition jumpstart if you will. Read it and download right here.

If you choose to perform it , please let us know, or send us on some photos / video.

We'll continue to look at Galoshans / Halloween traditions over the next few weeks, and obviously throw in a few spooky stories for good measure.

Monday, 10 October 2011

Going Galoshans - 1


“Guising”, “Trick or treating”, down our way in Inverclyde, it’s “Going Galoshans”.

Many of the traditions which were observed for decades before falling out of fashion were in fact brought down with Highlanders fleeing the clearances, or came over with Irish migrant workers. These traditions and many more are recorded in John Donalds “Old Greenock Characters”.

“In the early part of the evening the streets were thronged with children, bands of them, mostly girld, singing in chorus;
           
            Hallowe’en, a nicht at e’en
            Three witches on the green
            One black, one white
            One jumping ower a dyke

“After the dooking for apples came the burning of nuts. Two nuts are placed in the fire side by side, one for a lad and one for a lass. Should they burst into flame and glow quietly together, the omen is favourable; but should they spring apart trouble is portended, and the course of true love will not run smoothly.”

“A three footed pot filled with champit tatties was placed in the middle of the kitchen floor. Mixed with tatties were a ring, a doll, a thimble, a button, and a threepenny ‘bit’ betokening respectively that the finder would be soonest married or a parent, remain an old maid of bachelor, or acquire riches. The guests were then seated on stools  around the pot , each armed with a spoon , and at the word ‘go’ an onslaught was made on the tatties.”

People are now less likely to set fires to burn nuts, but the tradition of “going Galoshans” around the doors, performing and collecting sweets, remains the most popular part of all Halloween celebrations. It is the part of the tradition which was popularly transferred to America when those same migrant workers and highlanders left these shores.

In the nineteenth century, “The Galoshans Book” was a chapbook printing of a short play based on the legend of “Saint George and the Dragon”, more traditionally performed by mummers. Children would dress up and travel from house to house performing their interpretation of this play, it is from this that we derive the term “going galoshans”

“Little companies of Goloshans, too, were to be seen rushing from one tenement to another, seeking admission, sometimes indeed insisting on their assumed privilege to perform ‘The Wonderful Tragedy of St. George and The Dragon’.
Their faces wear fearfully camouflaged, and their ordinary garb was embellished with various coloured trimmings, and a wooden sword where required. The kitchen floor was the bloodless scene of many an encounter with such swords, but all ended happily; for when ‘Dr Brown, the best old doctor in the town’ administered to the slain hero his marvellous life-restoring potion saying ‘Rise, Jock, and fight again!’ everyone was highly gratified , including the actors – if the collection was satisfactory.”

In his study of mumming plays, EK Chambers notes a number of regional variants, including this apparent explanation for why our play is Galoshans.

"But the chief feature of the Scottish versions is the regular replacement of St. George by a hero called Galatian, Galations, Golashans, Galacheus, or Galgacus. Presumably this last is the original form, since Tacitus makes Galgacus or Calgacus the leader of the Picts in their battle with Agricola at the Mons Graupius. Irish versions naturally introduce St. Patrick, with a gibe in which St. George is called St. Patrick's boy."

The full text of  E.K. Chamber's "St George and the Dragon : The English Folk Play" 1933 can be read here. It is a fascinating (and very thorough!) look at how mumming plays across the United Kingdom have been performed, adapted and recorded across the centuries, from harvest ritual to fertility festivals through to Christmas celebrations and arguably into pantomime.

What continues to interest us, is how a tradition which was largely English found its way to the West Coast of Scotland and continued to be a term of reference for going round the houses telling jokes long after the original meaning and purpose had ceased. Just marvellous. By the early 90s, Greenock and Port Glasgow were among only a handful of places in Scotland who still used the term.

We'll be providing you with a wee downloadable chapbook later in the week if you want to stage your own performance.

The heritage lottery funded project Identity is working with two Greenock schools to share more local halloween traditions and stories and will be having a traditional Halloween party, later in the month you can read more about it on the Identity project blog.