Showing posts with label greenock. Show all posts
Showing posts with label greenock. Show all posts

Wednesday, 14 October 2015

Galoshans Are Go

Haunted Air

It's your two week warning for essential folk play preparations!

This year, Inverclyde is actually having a whole Galoshans Festival, with all sorts of weird, wonderful and unusual stuff going on in and around the town. Check out the programme. We'll be along at The Dutch Gable House during the weekend.

And once you've had fun at the festival, be sure to be Going Galoshans and performing your own version of the traditional play which has inspired the festival....

Read and download The Galoshans Play for free via Scribd

And you must check out the Guising and Galoshans resource pack from the lovely folk at the Scottish Storytelling Centre, which has scripts, songs and games for you to use.


For other Halloween and Galoshans related fun...

See a version of the play recorded in The Dutch Gable House for Inverclyde TV...

Read about Greenock's other Halloween Traditions


Listen to our popular spooky tale Malkie and The Bogle....




Enjoy an illustrated reading of The Ballad of Auld Dunrod...




And finally, below is a wee sinister glimpse of Andy Lee's reimagining of the traditional play characters for a folk horror comic based on the play, which is in development at the moment...




Tuesday, 10 February 2015

Time and Place - Celebration Ode



Our Restorations film featured a version of the poem Celebration Ode, by Jock Scott and British Sea Power.

Here are some more versions of this 'Greenock anthem' by local musicians...


Monday, 25 August 2014

Time and Place - Restorations


Magic Torch have long been fans of the band British Sea Power, and so we were absolutely delighted when they agreed to work with us on our Time and Place project to create an exhibition for The Dutch Gable House.

For this part of the project we wanted to take old footage of the town, some of which people may be familiar with, and use it to tell a slightly different story about some of what the town has lost, both positively and negatively, in the name of progress and regeneration. The main footage we have used comes from Greenock Plans Ahead, which many local history and heritage buffs will be familiar with. Primarily using a high quality version of the footage from Greenock Plans Ahead, sourced directly from Scottish Screen Archive, local historian, folk singer and general Renaissance Man, Louie Pastore, has edited the footage into something new to accompany two specially created pieces of music from British Sea Power.

The short film with exclusively recorded soundtrack, will be premiered in The Dutch Gable House in the autumn as part of an installation there. For now, here's a very brief glimpse of what to expect.



Do check out more from British Sea Power, here's just a wee taster below...

Here's a clip from the wonderful From The Sea To The Land Beyond



And here's the band's classic No Lucifer




Just a wee disclaimer though - in these increasingly exciting and polarised times in Scotland, something as straightforward as a band's name can be seen as a political statement. Well in this context, it isn't. As we've said before, Torch involve a broad mix of folks, from archivists to anarchists, atheists to devout catholics and Yes supporters and those who say No Thanks. We'll all be voting in our own ways, with our own hopes in September, and so the reason we've involved the band British Sea Power, is because we really like their music. Just so everyone's clear. Sheesh.

Monday, 18 November 2013

Old Greenock Characters - The Winter Fair (Part Two)



Another classic winter time moment from John Donald’s Old Greenock Characters Winter Fair chapter, presented, as ever, as the author intended. Just in case you don’t know, as it’s relevant to the wee story below, a feeing market is where farmers would come to hire labourers for the next year.

The fair afforded an excellent opportunity to carry on the business of the Martinmas Feeing Market, and bucolic visitors were to be observed in couples and small groups here and there in the Square, or strolling aimlessly about the adjoining streets, the arms of the amorous swains being, in not a few cases, around the ruddy necks of their “fair” companions, who gaped and glowered delightedly, heedless of the amused looks or attempted witticisms of the “toon folk”.

At the corner of Church Place a few lads and lassies were approached by a wench known to at least one of them.
“Hallo Jean, hae ye got a fee?” exclaimed a half tipsy youth, who had been her fellow servant.
“No yet Rab.”
Rab turned to a companion.
“Here, haud ma lass,” said he, “til ah get a gless wi’ Jean.”
The lass having apparently no objection, rab and Jean moved leisurely across to David McCammonds Wheat Sheaf Inn, followed by another couple on a similar errand.
On their return, some twenty minutes later, it was evident that MCCammond kept a dram with some pith in it. Rab felt game for anything.
“Ere ye are lads,” cried the owner of a shooting stand close by, “ere ye are. Try yer skill. O’ny a a’penny a shot. Fun for yer money, an nuts for nuthin!”
“Ah’ll haud ye ah could pit the pin in the wee ring,” exclaimed Rab boldly.
“Don’t believe you could,” returned the stall man; “but ‘ave a try; it on’y costs a a’penny.”
Rab received the gun and put it to his shoulder with a serious air. He took so long to fix his aim, that his friends became impatient, and made sarcastic remarks. At length, he fired – and almost missed the board at the back of the stand.
A shout of derisive laughter greeted the result.
“Aw, ma fit slippit. See’s anither,” said Rab.
“Right you are sir,” replied the showman briskly, and to the gentlemen spectators added: “Ho, yes, it’s right enough. The gentleman’s foot slipped…Now then sir,”
Rab fired again, and with rather more success; the pin was not inside the ring, but came pretty near it.
“That’s better,” cried the showman, encouragingly. “Very near it. This time you’re bound to win. Luck in hodd numbers you know sir,” and he replaced the gun in Rab’s hands.
Practice makes perfect. Rab’s third shot landed the pin within one of the larger circles and his success was hailed with hearty shouts of “Weel done, Rab,” “Fine, man,” from his beaming companions, amidst which Rab laid down his gun with an air of such lofty indifference as to indicate that he could easily ring the pin whenever it might please him to do so.

Declining (wisely) however, further practice, he paid the man and was about to receive his guerdon of nuts, when down came the tall backboard of the stand on the top of his and the showman’s heads. The girls screamed, the showman swore, and Rab was dumbfoundered; but there was little harm done. Some boys had got behind the stand, loosened the cords which held the backboard in place, pushed it over and then made off – a common prank of theirs.

The incident had been fully discussed, and Rab’s “neif-fu’” of nuts distributed among the lassies, when a farmer strolled towards the group. An elderly man of medium height and stout build, with one hand in the pocket of his tweed shooting coat and a thick ash staff in the other, he regarded the females of the party with keen eyes peering from beneath bushy eyebrows. Apparently satisfied with his scrutiny, he slowly stepped forward, and, catching Jean’s eye, indicated with a jerk of the head his desire to speak with her. Jean approached him, when the following conversation ensued, with much deliberation on both sides, the questions being cannily put, and as cautiously answered:-
“Are ye fee’d?” he began.
“No’ yet.”
“Wad ye tak’ a fee?”
“Weel, if it was a guid yin a wad tak it. That’s what I’m looking for.”
“Are ye a guid milker?”
“Ou aye; ah can milk weel eneuch.”
“Can ye churn? Are ye a guid dairymaid?”
“Ou aye, ah’m yaised tae the dairy.”
“Iphm!”…”Ye’ll hae references?”
Jean nodded and produced a couple of certificates which the farmer carefully perused by the aid of his spectacles, and returned:
“And-eh-what wages wad ye be seekin’-what had ye in yer last place?”
“Twal poun’ ten.”
“Aye-imphm-an’ what wad ye be wantin noo?”
“Weel, ah was thinkin’ seven poun’ in the hauf year.”
“Ah’m thinkin’ ye’d be weel enough aff if ye got sax poun’ ten, that’s thirteen poun in the year. What dae ye say? Will ye fee?”
This was the utmost Jean had expected; but it would never do to be too eager. She seemed to hesitate the sly minx.
“But whaur is it til?”
He mentioned the name of his farm, of which Jean had received creditable reports.
“Ah, weel,” sh said at last, “Ah suppose ah maun jist tak it.”
“Come awa’ ower then, an we’ll settle about it. Here’s a shullin; that’ll earle ye,” and the farmer led the way to the White Hart Hotel at the corner of the Square, in order to have the contract signed.
As they passed, Rab whispered, “Hae ye got a fee?”
Jean nodded and smiled, “Aye Rab, ahm fee’d noo.”
“Ye’re lucky,” sighed Rab; “Ah wish ah wis fee’d.”


The original spirit of the Winter Fair lives on in The Dutch Gable House this year, with all manner of handcrafted gifts, prints and books available. It’s open Tuesday – Saturday from 9 – 5. Pop in and say hello! We're especially excited about the Violet Skulls Market on Saturday 30 November. Keep yer Christmas local. You can download the new Dutch Gable House app for FREE now.


https://www.facebook.com/violetskullsmarket
 
 
Here's a wee vid from bysharonwithlove who is gonnae be selling prints and cards at the event (full disclosure...Sharon and I are married, she takes lovely photies)
 
 
 
 

  

  

All profits are reinvested in local heritage projects.

From doomed love to haunted industrial wastelands
via ruined Roman roads and abandoned castles,
there's something for everyone to be feart of.


Wednesday, 11 September 2013

Doors Open Weekend - Dutch Gable House Sale!



In addition to your FREE copies of Wee Nasties and the Tales of the Oak comic this weekend, there's also the chance to grab other Magic Torch books at bargain prices...


Our folktale collections Tales of the Oak and Downriver are half price at £5, our reprint of the Thriller Picture Library Captain Kidd comic is £2 and....while recently clearing out the boiler room we call our office, we discovered two whole boxes of our reprint of Views and Reminiscences of Old Greenock.

The book was originally published to raise funds for Ardgowan Hospice in 2001, and sold out very quickly. So this is probably your last chance ever to nab a copy of this version of the classic work, a fascinating time capsule of Greenock at a period of significant change. The very limited stock of Views will be available at the Newark Enterprise Shop in The Dutch Gable House exclusively September 14th and 15th, priced £5.

All profits from book sales are reinvested in local social enterprise and heritage projects, including The Dutch Gable House itself.

You also have an exclusive opportunity to purchase Limited Edition prints from Wee Nasties as produced by Mhairi Robertson and an additional print of Granny Kempock..

Oh, and there should even be some exclusively designed Tales of the Oak mugs by Andy Lee, and lots of new traditional hand finished gifts from Newark Products. So it's all go eh?

Tuesday, 27 August 2013

Tales of the Oak Launch - Doors Open Day



We've been working on our Tales of the Oak comic for almost a year now, and we're really pleased to say it's finally away to the printers and will be available exclusively at the Dutch Gable House on Doors Open Weekend, 14th and 15th September. 64 fully illustrated pages of local terror featuring shambling tunnel dwellers, cursed hiflats, ghost pirates, zombies and evil cultists. Oh, did we mention that it's FREE.

Tales of the Oak is funded by Heritage Lottery Scotland, like our storytelling project and our childrens book Wee Nasties. We'll also have our last remaining copies of Wee Nasties available on the day, along with an exhibition of some of Mhairi and Andy's original artwork and sketches from the book and comic.

And that's not all you'll be able to enjoy. We've now moved lots of Sir Glen Douglas Rhodes furniture and curios out of storage and into his replica study in the Dutch Gable where you will be able to experience his life and times, the wonderful Newark Products shop will be open, selling a wide range of bespoke and handcrafted gifts, plus there will be folk music in the Back House and films in the Secret Cinema. It's all good.

We'll be along from 10 - 4 on both days, hopefully see you then.

And I don't want to panic ye or anything, but the last time there was a local heritage graphic novel, Identity The Archivist's Treasure, there were 4000 copies and they were all gone in quicksharp time. That's why you can only get it online now. There's only 1000 Tales of the Oak. So get em while they are hot...


Enjoy our trailer for the comic below...



Tuesday, 13 August 2013

If Walls Could Talk....


This piece was written by Mark Jones, who rediscovered it recently and passed it on to us. Mark won our Tales of Unease competition last year with Moonlight Over Inverkip, and runs his own proofreading business Wordsmith Jones Editorial, which proofread the Identity : Kith and Kin book this year. Mark has very gamely just started republishing excerpts from his 20 year old teenage diaries on A Diary of Teenage Embarrassment, which gamely contrasts his painfully recognisable diaries with videos and images from the same period. Nice stuff.

If walls could talk, what would they tell? The Greenock house opposite mine could spin an intriguing yarn. I wonder if the current occupants know. I’m tempted to ask, but I won’t for it has far from a pleasant plot and no happy ending. Besides, who wishes to learn that their home once housed a man hanged for treason?

Its former inhabitant is Duncan Alexander Croall Smith, later known as Scott-Ford. Born in Plymouth, 1921, and raised there until his father – a sick bay attendant in the Royal Navy – committed suicide in 1931, Scott-Ford had, by June 1939, joined the Navy. With war looming, he sailed aboard HMS Gloucester, bound for Dar-es-Salaam, in modern Tanzania.

Here, he met a 17 year-old German girl, Ingeberg Richeter. Having visited her family home several times, the pair traded three letters, a fourth being returned to Scott-Ford after the Richeters repatriated to Germany – perhaps indicating that his ardour for the girl was stronger than hers for him.

A year later, Scott-Ford docked in Egypt. Escaping war for a while, he dallied with a prostitute whose fees impoverished him. He twice forged his Post Office book to withdraw non-existent funds, and was courts-martialed, discharged dishonourably from the Navy. However, following his mother’s repayment of the money, his prison sentence was reduced to honourable discharge. Thus it was, in July ’41, that he arrived amid the bomb-shattered streets of Greenock.

It’s uncertain how his mother and stepfather moved to Bannockburn Street, but evidence suggests they had family connections to the town. Scott-Ford’s reunion with his mother went badly. After accusing her of spending his wages on fur coats for herself and his cousin, he harangued her for sullying his dead father’s reputation. To the relief of all, he decamped to Union Street, and – once his Admiralty papers arrived – signed to a merchant ship.

After touring the Caribbean, Scott-Ford returned to lodgings on West Blackhall Street, before securing a berth aboard the SS Finland. On February 10th 1942, he sailed from Greenock to Lisbon – a course that would lead, ultimately, to disaster.

One evening, Scott-Ford repaired to a Portuguese bar, where he was joined by a stranger who introduced himself as Rithman, a sea captain. Scott-Ford chatted with Rithman, reminiscing about Ingeberg. Rithman offered to arrange the resumption of the young lovers’ correspondence, but only if Scott-Ford confirmed a rumour that all British ships were to return to port by June 28th. Rithman then handed Scott-Ford 1,000 Escudos – no fortune, but a handy sum for a seaman.

Perhaps Scott-Ford had no knowledge of this rumour but decided to string along his companion, for either the money or a reunion with Ingeberg. Yet in doing so, he must have known he courted danger. This, after all, was an era in which sailors were warned that ‘loose lips sink ships’. For Rithman to supply money suggested he was more than merely curious in the whereabouts of British ships. And to have promised to put Scott-Ford in contact with Ingeberg could only mean he had relations with people inside enemy Germany. This was not a conversation any British seaman should have pursued.

The pair met again the following day, along with a mysterious Captain Henley. Scott-Ford may have been drunk the night before, but he’d had time enough to sober up and reconsider Rithman’s bargain. Yet, still he went. Why? Evidence suggests Scott-Ford was something of fantasist: he later portrayed himself as part of the ‘international spy racket.’ He was never that, for all the damage he may have caused. Nor was he very intelligent: any intent on his part to collude with the enemy put not only his fellow crewmembers at risk, but also himself. He was either stupid, or suicidal. Had he inherited his father’s depressive disposition? It’s possible he blamed the Navy for his father’s suicide; possible too that he resented it for representing the only career option available to him.

During May and July, Scott-Ford collaborated five times. In return for money, he signed receipts, naively using his own name, allowing Henley to blackmail him with the threat of exposure to the British consulate. Consequently, Scott-Ford surrendered a wealth of increasingly damaging information. After providing anecdotal comments concerning attitudes towards Churchill and the state of morale following German air-raids on Britain, he gave details of his convoy and ships lost along the way to torpedoes. He also provided the location of an aircraft factory at Merseyside, and details regarding the training of troops for a planned invasion of Europe he claimed to have overheard from Royal Marines in Greenock.

Conversely, his German paymasters became exasperated by his inability to supply other information regarding Britain’s minefields, warships Henley claimed were being built, and up-to-date copies of Jane’s military annuals. In a report made after Scott-Ford’s later internment, he was described as having arrived ‘full of bombast, visualising himself an important figure in the international spy racket […] eventually shown to be the traitorous rat he is.’ Traitorous, certainly. But in truth, Scott-Ford was never the master spy he made out.

Upon returning to Britain, Scott-Ford was twice asked whether he’d been approached by enemy agents while abroad. Initially, Scott-Ford claimed he had been approached but hadn’t co-operated. Perhaps he hoped to provide an alibi for any mysterious disappearances his colleagues might report. Perhaps he wished to appear important enough for agents to have taken an interest in him, but admirable enough to have spurned them. Possibly, his claims drew suspicion rather than deflected it, his superiors wondering why he’d waited so long to report the incident.

Asked again, on August 18th 1942, Scott-Ford proffered a similar answer. But British intelligence already knew Germans in Lisbon had been talking to an informer they code-named ‘Rutherford’. Confronted, Scott-Ford crumbled, confessing all. His personal effects were searched and notes discovered not only of the Finland’s movements since it left Lisbon but the names and positions of all ships in the convoy, as well as details of the aircraft protection provided.

He was sent to MI5’s Camp 020 in London and subjected to ‘rigorous methods of interrogation.’ Complying with the authorities, he became ‘increasingly alarmed’ at his situation. Like Timothy Evans – wrongly hanged for the murders of his wife and child in the later Christie affair – Scott-Ford appears to have been a man of below-average intelligence whose overactive imagination prevented him from separating fact from fiction, leading him to tell outrageous lies in order to impress others. Professor AWB Simpson has speculated that he may have been spared had he provided information on the German intelligence system. Tragically for Scott-Ford, this was information he simply didn’t possess. He just wasn’t the calibre of spy he’d led his accusers to believe. Only when he felt the cold shadow of the gallows fall slowly over him did he finally realise that the very people he should have been convincing of his innocence were people to whom he’d wasted time bragging his guilt.

On the 16th October 1942, Scott-Ford went on trial, in camera, at the Old Bailey. Judge Birkett heard from Sub-Lieutenant Wood, of the Admiralty’s intelligence division, that Scott-Ford’s actions would have proven ‘extremely useful to the enemy.’ Asked if Scott-Ford deserved reprieve, the Commandant of Camp 020 replied, ‘death by hanging is almost too good for a sailor who will encompass the death of thousands of his shipmates without qualm.’ Scott-Ford’s fate was sealed and the prophecy he made upon arrest was fulfilled:

‘If they can prove I’m a spy, they’ll send me on the eight o’clock walk.’

On 3rd November 1942, at Wandsworth, Albert Pierrepoint led the prisoner to the appointed spot, placed a white noose over his head and – with the pull of a lever – sent all 5’5", nine and a half stone of Duncan Alexander Scott-Ford’s body plummeting through the dark, gaping trapdoor and into the world beyond. The following day, a report appeared in the Times, with a warning to all British seamen against fraternising with strangers who might ensnare and blackmail victims.

One can only surmise how the news was received in Greenock, particularly by his family.

Scott-Ford wasn’t innocent. Neither, on the evidence we have, was he a particularly pleasant person. As for his motives, they are impossible to comprehend. Perhaps it hardly matters. Just the very thought that in different circumstances he might still be alive today makes his story, and the waste of his life, seem all the sadder.

I discovered his story while failing to find stories of former residents of my own home. My walls, it seems, don’t talk. However, soft whispers from a house opposite have intrigued me. They have transported my mind across oceans, aboard ships I’d never heard of, to cities and brothels and scenes of which I could never have imagined, and into the dark mind of one of Greenock’s lesser-known inhabitants. It makes me wonder what other tales remain to be told of our towns, if only we listen. If the walls of your street could talk, what might they tell?

Monday, 8 July 2013

Greenock Town Trail Launch

 
 
There's another opportunity to grab copies of Wee Nasties and see the accompanying exhibition upstairs at The Dutch Gable House tomorrow as part of the launch of the new Greenock Town Trail....
 
From Discover Inverclyde....

On Tuesday 9th July a new Greenock Town Trail is being introduced, using 21 plaques which are situated in pavements across the central area of Greenock, highlighting historic locations in the town as well as famous local people in Greenock’s past, notably James Watt and Abram Lyle.
The new Town Trail has been put together by local tourism group Discover Inverclyde and the Inverclyde Tourist Group with help from local historians and Inverclyde Council and with the majority of funding coming from the Council’s Community Facilities Fund.

Chris Jewell, a Director of Discover Inverclyde said, ‘We are delighted to have had this funding to introduce what we believe will be a fascinating insight into many aspects of Greenock’s past. The Trail will take around an hour to complete on foot, unless you linger at some of the areas highlighted by the individual plaques, but you can start and stop the Trail at any point. Thanks are due to the Council and the Tourist Group in particular for enabling the Trail to be put together for the benefit of the many tourists coming here and also for the local community.’

Eleanor Robertson, Chairperson of the Inverclyde Tourist Group added, ‘The Trail will provide a lot of interesting history of Greenock to the many visitors coming from the cruise liners, and help them to focus on our local heritage, while giving them a fascinating Trail to follow. We had a lot of fun putting all this information together, and also discovered a lot of facts about Greenock’s past which are not well known.’

On behalf of Inverclyde Council, Provost Robert Moran said, ‘Inverclyde has a rich and varied history. The Greenock Town Trail highlights some of the most fascinating aspects of the town. It's appropriate the launch of the trail is in William Street in Greenock. It is our oldest street with two of the oldest surviving properties, next to the birthplace of the incredible James Watt, in the shadow of the historic Municipal Buildings and round the corner is the Strathclyde Fire Museum and Heritage Centre. Within a very short walk this town trail will open up some amazing stories and I would encourage as many residents as possible to take the trail and share the incredible history of Greenock with your friends and family.’

The plaques extend from the Custom House on the river’s edge to Greenock Cemetery to the south and take in the Esplanade, Ardgowan Square and part of Nelson Street, Grey Place, Clyde and Cathcart Squares and William and Cathcart Streets. An accompanying booklet has been produced giving more detail to each location and copies are available free of charge from local libraries, the Dutch Gable House, the McLean Museum and a number of local shops.

In addition to the new Trail, six new double sided information signs are being installed highlighting to tourists and visitors many places worth visiting and including a number of additional facts about Greenock, its people and its past. Chris added, ‘We hope that both the new Trail and the information banners will add considerable interest and enjoyment to visitors’ time spent here and they will also provide a good source of information for the local community.’

The new Town Trail will be launched in William Street at 11am on Tuesday 9th of July after which a mini trail of four of the plaques in the immediate area will be visited by those present, accompanied by a number of characters from yesteryear including James Watt and Abram Lyle.


Tuesday, 25 June 2013

The Fisherman and The Monkey

A really scary monkey...

A playful, then very suddenly dark broadside ballad....

In Greenock town I’ve heard it said
A man there lived who to his trade
A fisher was a rummy blade
His freens they cawed him Dunkey O
Now a sailor brither he had got
Wha’d just come hame frae Hottentot
And frae that savage place he brought
A full grown living monkey O

For four lang years ‘twas telt tome
This sailor chiel had been to sea
When he came hame to hae a spree
He wasna’ very funky O
So wi his monkey in a box
At Dunkey’s door he quickly knocks
And the nicht was spent wi sangs and jokes
But he ne’er said he’d got a monkey O

Now ye maun ken  this sailor lad
A sweetheart up in Glasgow had
So to see her next day he would pad
In spite o’ freens or Dunkey O
Early next morning he did rise
As the sun began to climb the skies
Says he Na doubt he’ll get a surprise
When he waukens and twigs the monkey O

Now the monkey thocht like human kin
Twas time some breakfast was brocht in
It then began to yell and whin
And through the room went dancing O

You’d thocht t’was some ane killing pigs
For it yelled and cut some antic riggsut a’ this din and wild uproar
The monkey made upon the floor
The fisherman he loud did snore
‘Twas hard to waken Dunkey O
At length he thocht ‘twas time to rise
And he looked about him wi surprise
For on a table he espies
A thing in the shape o’ a monkey O

Now Dunkey Jumped up to his feet
Like lightning he ran to the street
And twa-three fishermen he did meet
And O but he felt funky O
He telt his story –wi’ ae consent
To Dunkey’s domicile they went
And they swore they’d make the thing repent
Be it a man or a monkey O

Now the monkey at the men did stare
For they strapped him down upon a chair
Says ane-On his face there’s ower much hair
To shave him I’ll no be funky O
Ane o’ ran and got some soap
And made a lather pipin’ hot
While another held him by the throat
Till the fishermen shaved the monkey O

Now the fishermen they laughed like mad
Such fun before they never had
When a wild young chiel whose name was Rab
Proposed to hang the monkey O
Then round it’s neck a rope they threw
And through a cleek the end they drew
And quickly to the riff it flew
For the fishermen hung the monkey O

Tuesday, 4 June 2013

Wee Nasties - The Greenock Catman



Originally, our new book Wee Nasties featured a verse about local legend the Greenock Catman, but in the end, he didn't quite fit. Of course, we are all big fans of the Catman and wouldn't want to be offending him, so we thought we'd print Mhairi's rough draft sketch and our verse on the blog. 

A much friendlier version of the Catman appears in the childrens book I've written The Superpower Project, which is published by Floris Books in February 2016.


Down the track’s a Catman
Who has rats on toast for tea
He never cleans his teeth
Or has a bath like you and me.
He lives in an old tunnel
That runs below the town
And if you’re down there playing
He’ll come up and pull you down.
He’s never very lonely though,
His friends are all lost cats
So if a kitty’s missing
They get share of Catman’s rats.


Over 500 copies of the book have been distributed so far, we've kept a few copies back for another opening of the exhibition over the summer months. There was a smashing wee piece on the launch on your local tv channel Inverclyde TV.

Remember...you can still enter our Wee Nasties competition...

There’s a poor wee frog lurking in some of the pages of Wee Nasties, he ended up trapped in a jar by Auld Dunrod. Happily, though, he escapes. Maybe you can tell us what happened to Dunrod’s Frog when he escaped.

Did he meet even more nasties? End up as frogs legs on toast? Or maybe there’s a much happier ending....

Why not try telling us what happened in less than 200 words, and you can win a prize.

The top 5 entries will be printed on the Magic Torch blog www.talesoftheoak.co.uk, with the overall winner receieving a framed print of one of the Wee Nasties signed by the artist Mhairi M Robertson.

Your entries can be posted to

Auld Dunrod, Magic Torch, 175 Westburn Centre, Greenock, PA15 1JZ, or emailed to aulddunrod@gmail.com

Competition open to all under 12s and the closing date for entries is 26 June 2013.





Saturday, 25 May 2013

The Great Adventures of Captain Kidd - Episode 7


In the interest of staying on the right side of whatever licensing may still exist, we are making this film available for educational and entertainment purposes, Magic Torch generate no commercial revenue from this blog or our youtube channel.

We will of course remove it if requested. aulddunrod@gmail.com

Tuesday, 7 May 2013

Inverclyde Festival of Heritage


A new Inverclyde Festival of Heritage is being introduced in May by tourism group Discover Inverclyde, the Inverclyde Community Development Trust, the Inverclyde Tourist Group and other local groups to help highlight Inverclyde’s history, some of its heroes and its industrial and maritime heritage.

The Festival, which runs from Monday 13th to Sunday 19th May makes use of a number of venues including an exhibition unit in the Oak Mall shopping centre, the Dutch Gable House in William Street, the Waterfront cinema, the Beacon Arts Centre and the McLean Museum, as well as potentially the area alongside the Egeria statue at the west end of West Blackhall Street and Ginger the Horse at the entrance to Cathcart Street, weather permitting.

As well of being of considerable interest to the local community, the Festival of Heritage is timed to appeal to thousands of cruise line passengers and crew arriving in Greenock that week on the Queen Mary 2 (Wednesday 15th May), the SS Mein Schiff Ein  (Thursday 16th May) and the Caribbean Princess on Sunday 19th May.

Activities on offer will include an exhibition all week long in the Oak Mall unit, drawing from the Community Development Trust’s Identity project, funded by Heritage Lottery Fund Scotland, which is a time lined story of the history of Inverclyde dating back to the earliest recorded period and following through to major developments in Inverclyde’s industrial and social past.

New film from Inverclyde Old and New Project
The Waterfront cinema will be showing a compilation of films and animations covering topics including the ‘Identity’ project film,  St Patrick school’s animated film and song The Shipyards, St John’s animated film The Comet, plus films from Aileymill Primary School, Glenburn School and the St Andrews documentary style film on the history of Larkfield and Schools Past and Present. There will also be also the ‘River of Steel’ film highlighting the history of the local shipyards, and ‘Into the Past’, a 20 minute film showing the changing landscape of the towns of Inverclyde.

A number of major Scottish characters will come to life during the exhibition including Robert Burns, Highland Mary and James Watt with storytelling of Burns’ life and his poetry. On the upper floor of the Beacon Arts Centre on Wednesday 15th May there will be a performance of the drama ‘Guerra, Guerra’, written and presented by young people from St Columba’s High School on the impact of Italy joining Germany in the early part of the second world war and how this developed into a harrowing journey for the Italian community living in Scotland and the Inverclyde area.

Identity
Two new books will be launched as part of the Festival. On Monday May 13th in the Dutch Gable House a new book entitled ‘Kith & Kin’ and telling the tales of local people’s roots and how their families came to be in Inverclyde will be launched and on Thursday 16th  Magic Torch will be launching their new children’s book Wee Nasties also in The Dutch Gable House.  Wee Nasties is beautifully illustrated by local artist Mhairi Robertson and introduces younger readers to the myths and legends of Inverclyde. Free copies will be available throughout the day, with a storyteller in attendance, sharing local stories in the afternoon and a display of the original sketches and artwork from the book.

There will also be a small exhibition featuring local pirate Captain William Kidd, with an exclusive free exhibition booklet, while a comic featuring the exploits of Captain Kidd will be available for purchase from the Dutch Gable shop.

There will be no cost to attend any and all of these activities. In addition, throughout the Festival a number of pubs and clubs will be offering live music with an accent on music concentrating on the past.


Chris Jewell of Discover Inverclyde said, ‘We are excited to be able to introduce this new Inverclyde Festival of Heritage with the Inverclyde Community Development Trust and the tourist and other groups, and the Festival is something we intend will develop into an annual event with an ever increasing number of elements to it. We anticipate that a number of other events will be added to this year’s Festival and a leaflet detailing all that is going on is being produced and will be distributed shortly, as well as appearing on the Discover Inverclyde website www.discoverinverclyde.com and the Inverclyde Festival of Heritage Facebook page at www.facebook.com/InverclydeFestivalOfHeritage’.

Paul Bristow of the Inverclyde Community Development Trust added, ‘This brand new Festival has given us the opportunity to showcase much of the work we have undertaken as part of our major ‘Identity’ and other projects involving lots of local groups and we would encourage everyone in Inverclyde to be a part of the Festival by coming out to see all that is being displayed and portrayed. I know that we will all learn a good bit more about our history and the local population.'

Councillor Ronnie Ahlfeld, a Director at Discover Inverclyde is enthusiastic about the Festival and its interest to the local community. He said, ‘It is great to make an opportunity for Inverclyde to showcase its past and a lot of very interesting history has been unearthed as part of things. The plan is to broaden the scope of the initiative in future years to include projects in Gourock and Port Glasgow. I also would like to thank Inverclyde Community Development Trust for their outstanding contributions to this project.’

Discover Inverclyde will be introducing alongside the Festival a new Greenock Town Trail, with 21 plaques located around the central Greenock area, accompanied by a new leaflet telling much of the history of Greenock and its people. There will also be the introduction of six new double sided information panels along the route from the Ocean Terminal to Cathcart Street, providing valuable and new information about what Greenock has to offer visitors, cruise line passengers and crew, all aimed at making their visit to Greenock an increasingly interesting and memorable one.

Dunrod by Mhairi Robertson

Saturday, 4 May 2013

The Great Adventures of Captain Kidd - Episode 4



In the interest of staying on the right side of whatever licensing may still exist, we are making this film available for educational and entertainment purposes, Magic Torch generate no commercial revenue from this blog or our youtube channel.

We will of course remove it if requested. aulddunrod@gmail.com


Thursday, 2 May 2013

Wee Nasties Launch



We're delighted that Wee Nasties will be launching as part of Inverclyde Festival of Heritage , two weeks today, on Thursday May 16 at The Dutch Gable House.

Wee Nasties is the first publication from our Heritage Lottery Fund supported project Tales of the Oak.

FREE copies will be available on Thursday 16, and throughout the weekend. After that, from 20 May, you will also be able to get copies from your local library, 7 1/2 John Wood Street, McLean Museum and we'll be delivering a limited number of copies to local schools and nurseries.

Magic Torch will also have an exhibition of Mhairi's original artwork and sketches in the Dutch Gable as well as a wee space dedicated to Captain Kidd (it is May after all, traditionally Captain Kidd month for us)

There will be an audio version online, digital version available later in the month and also an exclusive competition which we'll share with you soon.

Cannae wait.


Monday, 29 April 2013

Watt's This? Giant Robot Attack!






Few work in progress snippets from Andy Lee, wonder watt this thing could be?

And on a totally unrelated note, here's the first in an irregular series of strips by Andy n myself highlighting some of the social niceties of living in the West of Scotland.



Thursday, 25 April 2013

On Lurg Moor



Here at Magic Torch, we're fairly big fans of all the things the Romans did for us, and have over the years enjoyed exploring the sites associated with Roman's locally - even though we're folklorists, not archaeologists. We especially enjoyed a piece on the Roman Fortlet on Inverclyde TV recently. Here's an opportunity for you to enjoy some of the same terrain next Bank Holiday weekend, on a guided walk. Thanks to Evelina Longworth for this post...


We invite you to join us for a walking tour commencing at 2.30 PM on Sunday 5th May 2013. Led by Stephen Jennings, it will show you the amazing and important archaeological sites on the slopes around Corlic Hill and Lurg Moor just south of Greenock and in our magnificent Clyde Muirshiel Regional Park.

We have to restrict the number of people attending and you can book by contacting Nigel Willis on WillisBigNig@aol.com. Bookings will be accepted on a first come first served basis so book early! If you also say where you will travel from we can try to arrange car sharing, if that is of interest.

The area of our walk was the place that the very first Greenockians lived and farmed and includes iron age Celtic structures, cup marked stones, the Lurg Moor Roman Fortlet and the Roman road, a rare intact and fully enclosed Iron Age Stone Hut Circle Farm and is the location of abandoned 18th, 19th and 20th Century farms with rig and furrow marks, walls and roads from various periods.

Some of these structures have been officially recorded but not all and Steve Jennings, as a result of working there for over a year, has made new discoveries. This is a great opportunity for you to reacquaint yourself or learn about this important area for the first time. The following is an extract of Steve's paper Archaeology in the Hills Above Greenock.

"But the most essential feature of this area and what makes it truly unique is the very presence of a Roman fortlet amidst an Iron Age Scottish landscape with a density of population. The ScARF (Scottish Archaeological Research Framework) report makes this very clear, the “panel was set up to incorporate the study of the Roman impact on what is now Scotland and it is important to consider the relationship that Iron Age peoples of this zone had with Rome and the wider world”. Clearly in these hills resides the rare opportunity to find several answers with an importance not only on the regional and national stage but European wide as well. With one of the best preserved records of Iron Age life, Scotland, and in particular this area stretching from Lurg Moor to Corlick, is positioned to help fill out the history of the relationship Iron Age Celtic peoples had with the invaders of Rome from trade, assimilation, rejection to co-option. Though it must first be established if there indeed was contemporary overlap between the local people and Romans before we can discern the nature of their relationship with one another, this can only be done through more intensive methods than have hitherto been brought on the landscape and further cements its criticality in understanding the wider import of Roman Scotland. Any additional disturbance and development of the lands will gravely harm the ability to gain further understanding of this period in our history.

While the importance of these sites to a wider audience is beyond doubt it would be a mistake if one failed to contemplate local interest as well for these archaeological remains are what is left of the history from Kilmacolm through Greenock to Gourock and beyond. Indeed, far from the desolate and boggy terrain many see today, this vibrant landscape is the link to Inverclyde’s agricultural and Iron Age past. It is therefore imperative the region from Lurg Moor to Corlick receives the benefit of protection and further understanding that only a more rigorous review can provide. To disturb the archaeology, much worse destroy, could potentially be a loss to culture tragic in its scale"

Meeting place: the MOD mast, east of Whitelees Cottage.

How to get there:
Driving from Drumfrochar Rd / Cornhaddock St, Greenock - Turn up Peat Rd, past Drumfrochar Station onto the Old Largs Rd. Keep going on this road past Whinhill Golf Club towards Loch Thom and take the first road to the left. The attached map shows where to park and then walk to the meeting point beside the mast.

Driving from Largs or Clyde Muirshiel Regional Park's Greenock Cut Visitor Centre - drive up the Old Largs Rd along the east side of Loch Thom towards Greenock till you are clear of the dam. Carry on towards Greenock and take the third road to the right. The attached map shows where to park and then walk to the meeting point beside the mast. 
N.B. If you find you are beside Whinhill Golf course you have gone too far. Turn round and follow instructions for finding it from Greenock!

Length of walk: approx 1.75 to 2 hours.

Terrain covered: part road, part sheep track, part open moorland. Moderate fitness required.

Footwear: boots or wellies if you prefer. Depending on weather, some of the ground could be wet.

Things to bring other than suitable clothing: Camera, binoculars (very helpful for looking at more distant archaeological remains and the magnificent views, but not essential), water and snack.

NO DOGS ALLOWED - IT IS LAMBING TIME



Monday, 25 March 2013

Open All Hours - Magic Torch Shoppe


Today Magic Torch charges headlong into the late 20th Century with the launch of our new online sales facility or "wee book shop".

For now you can buy our first two books, Tales of the Oak and Downriver, as well as our new reprint of a 1950s comic Captain Kidd Buccaneer. All profits are used to help run projects which promote local heritage and folklore in Inverclyde. There's also a few links to free stuff, cos we're nice like that.

We'll be adding to the selection over the year, because as well as our Heritage Lottery supported FREE books Wee Nasties and the Tales of the Oak comic, we have a few new ebooks coming out later in the year. Anyhow, fill yer boots.


Tuesday, 12 March 2013

Slenderman Comic by Inverclyde Academy

Away back last year we worked with 1st and 2nd Year Pupils at Inverclyde Academy to put together a scary comic strip - hopefully we'll get a chance to do it again this year. The pupils devised the story and situations, helped us script them up and then Andy worked up the pages.

Here is what happened when internet nightmare meme The Slenderman visited Greenock...




And if you're feeling all freaked out by Slenderman, why not for a moment just try and imagine how he feels...


Tuesday, 15 January 2013

Old Greenock Characters - Tommy Matches


A favourite of many folk from John Donald's Old Greenock Characters....


Thomas Kincaid, called “Tommy Matches,” because those useful articles formed the principle item of the stock of small wares peddled by him in the streets of Greenock in 1890, and for a good number of years afterwards, was born in Co. Donegal, Ireland, in 1845. He was a pitiable creature whose woe-begone features were in perfect harmony with his shabby attire, which usually included a long dark overcoat buttoned up to the chin, and a dirty cloth cap. Such dignity as might have been imparted to his appearance by a full bushy dark beard was dissipated by a shambling gait and the watery eyes, mouth and nose which too clearly indicated mental weakness. Although quiet and inoffensive, he did not escape the rude attentions of street urchins. They occasionally pulled his coat and cried “Tommy Matches” but he never retailiated in any way, and, fortunately for his peace, the boys found little sport in teasing so tame a quarry.

For a time he sold newspapers and subsequently he appeared as a street musician with a concertina. When he blossomed out as a “general merchant” the late Mr W.C. Orr, grocer, in his kindly way, presented Tommy with a wooden box having the word “matches” legibly printed on the front, for the display of his stock-in-trade. No doubt Tommy was proud of his new box and grateful to the donor; but he was too dull to evince either pride or gratitude. One day a man, nodding to the box, said to him –
“Hallo, Tommy! I suppose we’ll need to call you a timber merchant now.”
“Naw, ye’ll naw; a’m a gen’ral merchant.”
This unusual display of wit rather bewildered the interlocutor, who passed on, pondering.

Now, Tommy used the box not only to show his goods but also (a corner of it) as a cash box, and it seems to have suggested wicked thoughts to wicked minds. Unscrupulous rascals, aware of Tommy’s ignorance and simplicity, would present a silver coin and ask him to “oblige” them with change for it. Tommy, being quite unable to count change, would tell them to take it themselves, when the knaves would abstract more than their due. That was done repeatedly, and the offence was sometimes aggravated by passing off on the unfortunate man counterfeit or foreign coin.

Much amusement was caused when Tommy varied his profession and appeared as a street musician, provided with a wheezy old melodeon. He had no idea of tune and pressed the keys in haphazard fashion while he pulled the bellows out and in. When facetiously requested to favour his audience with a particular melody, he would gravely nod his head in token of comprehension and compliance and continue as before.

Tommy was playing outside a bank while the solemn tolling of the Mid Kirk bell reminded citizens that the remains of Queen Victoria were being conveyed to their last resting place. The agent of the bank, who held high rank in the local volunteer corps and was a most loyal subject, happening to come out, was scandalised to hear Tommy’s jarring notes in shocking contrast to the funeral bell. It is questionable whether Tommy knew that the Queen was dead, and highly probable that he was quite indifferent; but he was certainly amazed when the incensed gentleman berated him for a performance to which no one had hitherto troubled to take exception. The bankers tirade was perhaps unduly prolonged, and Tommy’s amazement gave place to anger. It was great fun, and rather astonishing to the little crowd that had gathered when the worm turned and Tommy blurted out in his blubbery way all the opprobrious epithets he could muster against his assailant, who quickly realised that his dignity could be saved only by an abrupt retreat. Such a display of spirit by Tommy may seem incredible to many who knew him, but there is no doubt of its occurrence.

During a coal strike, Greenock was visited by a colliers’ band, out to raise funds. Displayed in various ways – on boards, musical instruments, caps and collecting boxes – were appeals for assistance such as “Help the Miners,” “Remember our Wives and Children” and the like. A wag obtained from a collier the inscription he carried on his cap, and knowing Tommy to be unmarried decorated him with it and set him off in a different direction grinding away at his melodeon and bearing the touching appeal – “Help my Starving Bairns.”

One of Tommy’s favourite pitches was in Bank Street and another in Regent Street, opposite Mr Gregor’s tutorial academy, where he often disturbed the serenity of the spot by unmelodious strains, Mr. Gregor’s daughters, taking pity on the poor man, and perhaps, for self protection) organised a cake and candy sale and with the proceeds purchased for him a nice portable hand-organ, whose notes were a desirable substitute for the monotonous braying of the old melodeon.

Illness in 1898 first brought him to the notice of the Parish Council authorities, and he was subsequently, at intervals, an inmate of Smithston Poorhouse, where he died in 1910.

Wednesday, 19 December 2012

The Green Oak Trees

We continue to prep our Tales of the Oak comic, but as a special Christmas Treat, here's the first full strip, a short tale of festive fear and folklore, we hope it's very much in the classic Tales from the Crypt style. We can't wait to share more of the comic with you over the next few months.







And now, get yourself ready for the upcoming solstice with a classy, and just slightly scary, animated video for Jethro Tull's festive EPIC Solstice Bells...