Miss McKellar, or “Cockin’ Kirsty” as she was called,
resided at the junction of Tannerie Close (Harvie Lane ) with Dalrymple Street . She was of medium
height, fresh complexion, mincing gait, precise in speech and manner, dressed
eccentrically in an old fashioned silk gown with flounces, an equally out of
date pelisse, and an early Victorian hat of most intricate trimming. Never
without her green silk parasol (in all weathers) and her old, almost blind,
dog, her principal object in life while out walking appeared to be to keep the
unfortunate animal either immediately in front of her or close by her side, and
the parasol was chiefly used for prodding the dog so as to effect her purpose.
She was approaching her residence after an outing one
afternoon when she observed her purblind companion trotting dully towards the
edge of a deep excavation in the street, apparently unaware of his danger. “The
hole, the hole,” she screamed; but she was too late. Over went the dog. A navvy
was digging below, and when the brute landed on the back of his neck, his yell
of “murder!” might have been heard at Rue-End.
“Miss McKellar and her auld, broon, culy dog,” was the title
of a song which I heard sung by the author, a man called Docherty, and known as
“the Taylor ’s
Close poet.” That the lady’s habits were as singular as her dress may be
inferred from the fact that it was her invariable custom to bathe in the river
below Fort Matilda about six o’clock every morning, rain or shine, frost or
snow, all the year round.
Miss McKellar was the daughter of a deceased ship-master and
the owner of certain heritable subjects in town, whence she derived her income.
You can read about another unfortunate animal who was acquainted with Cockin' Kirtsy in the rare tale of Cockin Kirsty's Monkey
You can read about another unfortunate animal who was acquainted with Cockin' Kirtsy in the rare tale of Cockin Kirsty's Monkey
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