Showing posts with label ghost stories. Show all posts
Showing posts with label ghost stories. Show all posts

Wednesday, 17 December 2014

Midwinter Tales - The Boarded WIndow

bysharonwithlove
 
A short story from Ambrose Bierce. Many other short stories can be read for free on Underworld Tales... 

In 1830, only a few miles away from what is now the great city of Cincinnati, lay an immense and almost unbroken forest. The whole region was sparsely settled by people of the frontier--restless souls who no sooner had hewn fairly habitable homes out of the wilderness and attained to that degree of prosperity which today we should call indigence, than, impelled by some mysterious impulse of their nature, they abandoned all and pushed farther westward, to encounter new perils and privations in the effort to regain the meager comforts which they had voluntarily renounced. Many of them had already forsaken that region for the remoter settlements, but among those remaining was one who had been of those first arriving. He lived alone in a house of logs surrounded on all sides by the great forest, of whose gloom and silence he seemed a part, for no one had ever known him to smile nor speak a needless word. His simple wants were supplied by the sale or barter of skins of wild animals in the river town, for not a thing did he grow upon the land which, if needful, he might have claimed by right of undisturbed possession. There were evidences of "improvement"--a few acres of ground immediately about the house had once been cleared of its trees, the decayed stumps of which were half concealed by the new growth that had been suffered to repair the ravage wrought by the ax. Apparently the man's zeal for agriculture had burned with a failing flame, expiring in penitential ashes.

The little log house, with its chimney of sticks, its roof of warpingclapboards weighted with traversing poles and its "chinking" of clay, had asingle door and, directly opposite, a window. The latter, however, was boarded up--nobody could remember a time when it was not. And none knew why it was so closed; certainly not because of the occupant's dislike of light and air, for on those rare occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning himself on his doorstep if heaven had provided sunshine for his need. I fancy there are few persons living today who ever knew the secret of that window, but I am one, as you shall see.

The man's name was said to be Murlock. He was apparently seventy years old, actually about fifty. Something besides years had had a hand in his aging. His hair and long, full beard were white, his gray, lusterless eyes sunken, his face singularly seamed with wrinkles which appeared to belong to two intersecting systems. In figure he was tall and spare, with a stoop of the shoulders--a burden bearer. I never saw him; these particulars I learned from my grandfather, from whom also I got the man's story when I was a lad. He had known him when living near by in that early day.

One day Murlock was found in his cabin, dead. It was not a time and place for coroners and newspapers, and I suppose it was agreed that he had died from natural causes or I should have been told, and should remember. I know only that with what was probably a sense of the fitness of things the body was buried near the cabin, alongside the grave of his wife, who had preceded him by so many years that local tradition had retained hardly a hint of her existence. That closes the final chapter of this true story--excepting, indeed, the circumstance that many years afterward, in company with an equally intrepid spirit, I penetrated to the place and ventured near enough to the ruined cabin to throw a stone against it, and ran away to avoid the ghost which every well-informed boy thereabout knew haunted the spot. But there is an earlier chapter--that supplied by my grandfather.
When Murlock built his cabin and began laying sturdily about with his ax to hew out a farm--the rifle, meanwhile, his means of support--he was young, strong and full of hope. In that eastern country whence he came he had married, as was the fashion, a young woman in all ways worthy of his honest devotion, who shared the dangers and privations of his lot with a willing spirit and light heart.
There is no known record of her name; of her charms of mind and person tradition is silent and the doubter is at liberty to entertain his doubt; but God forbid that I should share it! Of their affection and happiness there is abundant assurance in every added day of the man's widowed life; for what but the
magnetism of a blessed memory could have chained that venturesome spirit to a lot like that?

One day Murlock returned from gunning in a distant part of the forest to find his wife prostrate with fever, and delirious. There was no physician within miles, no neighbor; nor was she in a condition to be left, to summon help. So he set about the task of nursing her back to health, but at the end of the third day she fell into unconsciousness arid so passed away, apparently, with never a gleam of returning reason. From what we know of a nature like his we may venture to sketch in some of
the details of the outline picture drawn by my grandfather. When convinced that she was dead, Murlock had sense enough to remember that the dead must be prepared for burial. In performance of this sacred duty he blundered now and again, did certain things incorrectly, and others which he did correctly were done over and over. His occasional failures to accomplish some simple and
ordinary act filled him with astonishment, like that of a drunken man who wonders at the suspension of familiar natural laws. He was surprised, too, that he did not weep--surprised and a little ashamed; surely it is unkind not to weep for the dead. "Tomorrow," he said aloud, "I shall have to make the coffin arid, dig the grave; and then I shall miss her, when she is no longer in sight; but now--she is dead, of course, but it is all right--it must be all right, somehow. Things cannot be so bad as they seem."

He stood over the body in the fading light, adjusting the hair and putting the finishing touches to the simple toilet, doing all mechanically, with soulless care. And still through his consciousness ran an undersense of conviction that all was right--that he should have her again as before, and everything explained. He had had no experience in grief; his capacity had not been enlarged by use. His heart could not contain it all, nor his imagination rightly conceive it. He did not know he was so hard struck; that knowledge would come later, and never go. Grief is an artist of powers as various as the
instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the
sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs. We may conceive Murlock to have been that way affected, for (and here we are upon surer ground than that of conjecture) no sooner had he finished his pious work than, sinking into a chair by the side of the table upon which the body lay, and noting how white the profile showed in the deepening gloom, he laid his arms upon the table's edge, and dropped his face into them, tearless yet and unutterably weary. At that moment came in through the open window a long, wailing sound like the cry of a lost child in the far deeps of the darkening woods! But the man did not move. Again, and nearer than before, sounded that unearthly cry upon his failing sense. Perhaps it was a wild beast; perhaps it was a dream. For Murlock was asleep. Some hours later, as it afterward appeared, this unfaithful watcher awoke and lifting his head from his arms intently listened--he knew not why. There in the black darkness by the side of the dead, recalling all without a shock, he strained his eyes to see--he knew not what. His senses were all alert, his breath was suspended, his blood had stilled its tides as if to assist the silence. Who--what had waked him, and where was it?

Suddenly the table shook beneath his arms, and at the same moment he heard, or fancied that he heard, a light, soft step--another--sounds as of bare feet upon the floor! He was terrified beyond the power to cry out or move. Perforce he waited--waited there in the darkness through seeming centuries of such dread as one may know, yet live to tell. He tried vainly to speak the dead woman's name, vainly to stretch forth his hand across the table to learn if she were there. His throat was powerless, his arms and hands were like lead. Then occurred something most frightful. Some heavy body seemed hurled against the table with an impetus that pushed it against his breast so sharply as nearly to overthrow him, and at the same instant he heard and felt the fall of something upon the floor with so violent a thump that the whole house was shaken by the impact. A scuffling ensued, and a confusion of sounds impossible to describe. Murlock had risen to his feet. Fear had by excess forfeited control of his faculties. He flung his hands upon the table. Nothing was there!

There is a point at which terror may turn to madness; and madness incites to action. With no definite intent, from no motive but the wayward impulse of a madman, Murlock sprang to the wall, with a little groping seized his loaded rifle, and without aim discharged it. By the flash which lit up the room with a vivid illumination, he saw an enormous panther dragging the dead woman toward the window, its teeth fixed in her throat! Then there were darkness blacker than before, and silence; and when he returned to consciousness the sun was high and the wood vocal with songs of birds.

The body lay near the window, where the beast had left it when frightened away by the flash and report of the rifle. The clothing was deranged, the longhair in disorder, the limbs lay anyhow. From the throat, dreadfully lacerated,had issued a pool of blood not yet entirely coagulated. The ribbon with which he had bound the wrists was broken; the hands were tightly clenched. Between the teeth was a fragment of the animal's ear.

Sunday, 7 December 2014

Midwinter Tales - A Child's Voice



A lost BBC Ghost Story for Christmas?

From the videos own youtube description, via Rog Pile's Channel

"Radio fixes the person but frees the imagination."

This might be the first time this BBC ghost story has been viewed publicly in 36 years. A number of people across the net remember the story, and I've seen requests for it. The quality isn't terrific as I transferred my home video recording to DVD more than 10 years ago - and it's now converted to Flash. T P McKenna stars, playing Ainsley Rupert MacCready, a radio storyteller who writes his own stories (making his character probably not a million miles removed from A J Alan) in this creepy story by David Thomson.

Borrowing a synopsis from IMDB: "It is a well worked traditional Ghost story about a DJ of a radio station who broadcasts a horror story concerning a Magician who enlists the help of a child to perform the "disappearing " act on stage.

"Each night the DJ Narrates a chapter of this story to the listeners as he sits in his darkened studio with just his producer in the control room. After the first night's broadcast, the DJ goes home to his nightcap but is disturbed by the phone ringing, and upon answering hears a child's voice asking him not to continue with the story as it is too frightening."

Of course, he doesn't take the hint...

Monday, 1 December 2014

Midwinter Tales 2014


Merry December...as ever during the final month of the year, we like to curate and share a selection of  chilling tales told in all sorts of different ways. This year among other horrors, we have a preview from our Uncommon Tales comic, sinister cigarettes, musical nightmares and berry picking.

We always like to begin with a tale from M.R. James, and this year, it's a more unusual choice, the marvellous Rats, read by Pulp's Jarvis Cocker...



As it's that time of year, you may also wish to purchase our fundraising ebook A Nip In The Air, available on kindle.

And there's more winter folktale fun on my personal blog, Stramashed, with stories featuring badgers, magical christmas presents and mithraic worship. Something for everyone. Sort of.

Thursday, 19 December 2013

Ghosts of the Willows



I'm a regular scribbler of Wind in the Willows fan fiction, due in no small part to the impact that the 1980s TV series had on me.

Here's a nice spooky winter episode, you can singalong with...






  

All profits are reinvested in local heritage projects.

From doomed love to haunted industrial wastelands
via ruined Roman roads and abandoned castles,
there's something for everyone to be feart of.

Monday, 16 December 2013

Hungry Ghosts


Change of pace this evening with some Japanese Ghost Stories. There's a whole channel worth exploring. But here's one for starters, parental advisory on this one I think, or maybe I mean its scarier for parents. Anyhow...you have been warned...



There are lost of famous Japanese Ghost Stories of course, but here's lots submitted by real people.

In a similar vein, this is my own ZX Spectrum based Ghost Story - Gaki. I got my Spectrum at Christmas ysee...

Mark had been waiting to play Gaki for weeks, everyone at school was talking about it – but only Chris had actually played it. He said it was the scariest game ever. It wasn’t a game you could get in the shops, it was like the strip poker game or the Manic Miner bootlegs with extra levels. Sean said you could get an IRA game as well, but Mark didn’t believe him. Mark had asked Chris to come over or even to give him a loan of it, but he kept saying no, or that he was stuck at a bit and he would give him it when he got past that. Then Chris’s mum had died, and he hadn’t been at school, so Mark couldn’t ask him again. That’s why he was really surprised when he came home from school later that week to find that Chris had posted him a copy through the door.
Chris had copied it onto a C60, it was wrapped in a letter,
“It’s really hard, I’m fed up with it. See you at school soon.” 
The data screamed and flickered across the screen, it was taking ages to load.
“Mark do you want to play He-Man?”
“No John I’m playing this.”
“Mum! Mark won’t play He-Man with me.”
Mark pushed his brother out of the room as the screeching stopped, signalling the start of the game. There was no intro screen, just white text on black.
You are in a dark room with a dirt floor. Somewhere nearby you can hear crying. There is a wooden door.
“Open door” typed Mark.
 The door is locked from the outside.
“Use key.”
You have no key.
“Look in pockets.”
You are dressed in rags and have no pockets.
Some time passes... 
The crying stops abruptly.
“Search room.”
You find some dirt. And bones. It is too dark to tell which kind.
“Search dirt.”
You have found a trapdoor.
“Open trapdoor.”
The trapdoor is now open.
“Go through trapdoor.”
You fall down through the inky darkness and smash onto the rocks below. It takes some time for you to die. You are still conscious when the rats come.
Chris wasn’t kidding. This was hard.
You are in a dark room with a dirt floor. Somewhere nearby you can hear crying. There is a wooden door.
“Wait.”
Some time passes…
“Wait.”
The door is unlocked. A man shuffles in slowly.
“Look at man.”
Don’t you know it’s rude to stare? The man is wearing stained overalls, he has many cuts on his hands. He is smiling.
“Talk to man.”
You cannot talk.
“Go through door.”
The man is in the way. Some time passes, the man drags you from the room. You are in the kitchen, the blunt knives hang from the hooks. The walls are smeared brown. The man leaves.
“Get food.”
There is nothing here you should eat.
“Escape.”
There is no escape. But there is a small window above the sink.
“Open window.”
You are too far way. The crying starts again.
“Climb on sink.”
You climb on the sink. The water is slimy with grease and gristle.
“Open window.”
The window is open. You can hear the rain and the man shuffling.
“Mark get off that computer right now. Homework!”

Mark played Gaki every night that week, he got out of the kitchen without losing fingers. He got through the mines (you had to stay in the coal cart when the girl died) and past the dogs (you used the bucket of bones from the nursery) but had been grabbed by someone and thrown in a cage. He wasn’t dead, so it was obviously meant to happen, but he couldn’t get out. He had tried waiting for a bit, like at the start, but nothing happened. He had even tried starting again a few times to see if he could do something different; he always ended up here. He tried phoning Chris to see if he knew, but it was his dad who answered and he said Chris wasn’t feeling very well and hung up quickly.
“Wait.”
Some time passes…
You are cold.
“Wait.”
Some time passes… 
You are cold and hungry.
“Wait.”
Some time passes... 
You are cold and hungry and weak. You will soon die.
“Help.”
A door opens. Gaki is here. He says “Would you like me to help you?”
“Nod head.”
“If I help you, you will need to do something for me. Do you understand?”
“Nod head.”
The cage is unlocked.
“Open cage.”
The cage is open. Gaki is waiting for you.
“Leave cage.”
You are in the room with Gaki. 
“Leave room.”
Gaki has not finished with you yet.
The screen flickered at the edges for a moment, as if the game was still loading.
“Hello Mark. Do you like my game?”
Mark sat back from the keyboard.
“You have done very well to get this far. You must be very clever. Can you help me. I am cold and hungry.”
“Give food to Gaki.”
Gaki is still hungry.
“I need more Mark. Much more.”
“Who are you?”
“I am Gaki. I am in the game. I am the game, but I want out. I need you to help me get out, I’m not strong enough yet.Help.”
“How?”
“I need you to find other people to play the game. But you cannot tell them about me. They must find me themselves. They must need me to help.”
Mark stopped typing. Is this why Chris stopped playing? It didn’t feel right.
Some time passes…
“The more I help them, the stronger I will become.”
Mark didn't want to type anything else back, just in case.
Some time passes…
“If you do not help me, bad things will happen.”
It sounded like the chain letter Sarah brought to school. Teacher said that it was okay to break chain letters, that it was just people trying to scare you. Gaki was supposed to be a scary game…so this was just part of the game.
Some time passes…
“And they won’t stop happening until you share the game.”

Mark yanked the power cable from the port, exactly like his dad had told him not to do. He pulled the C60 from the tape recorder and buried it at the bottom of his drawer, under the rubbish mastertronic games he’d bought last month.

Next day when he came home from school, the police were at his house. His mum was crying. John had been playing outside and been run over. The car had just driven off, leaving John lying there. By the time the ambulance arrived it was too late.

Some time passed…

Mark’s mum and dad didn’t want him going back to school so soon, but he made such a fuss, screaming, demanding, that the doctor agreed it might be better to let him get back to his friends. Mark sat up all night with his dad’s midi hi-fi. 

He passed Chris at the school gates and they smiled sadly at each other. Then slowly, they began passing out the copied cassettes to all their other friends.


And with tenuous links in mind, and to cheer you up after all that, here's The Manic Street Preachers bemoaning the loss of Christmas past...



Remember that for the first time this year, we will also be reading a selection of Ghost Stories LIVE in The Dutch Gable House on Thursday 19 December from 7-8. The cost is £2, with proceeds going towards our next year projects. Spaces are limited, so if you are interested in tickets, email aulddunrod@gmail.com or pop into The Dutch Gable House.


  

All profits are reinvested in local heritage projects.

From doomed love to haunted industrial wastelands
via ruined Roman roads and abandoned castles,
there's something for everyone to be feart of.

Wednesday, 11 December 2013

Cantus Arcticus - Part Three




Cantus Arcticus is written by Mark Jones of Wordsmith Jones Editorial Servicesit is told in 5 parts, one each night this week... Mark's story Moonlight Over Inverkip is part of our A Nip in The Air Ghost Story CollectionNo less terrifying is Mark's brave rifling through his teenage diaries which you can enjoy at 20 years Ago Today : A Diary of Teenage Embarassment.

Catch up...Part One  Part Two

Momentarily, Duncan stood amazed and stared, both bemused and petrified by the sudden, inexplicable movement of the armchair.

He turned to place the tumbler on the drainer.

When he turned back, the armchair had moved again. It was now approximately where it had been before. Duncan walked timidly to it. He must have imagined it. He must be more exhausted than he realised. All this worry, all this disturbance – no bloody wonder he’d hallucinated or simply suffered a trick of the light. Any more of this kind of thing and he might, in the morning, take a walk up to the surgery on Burns Road. A few pills might put him right. He stepped back from the armchair, ignoring the dirty marks on the carpet now showing on one side of each of the casters, and turned on the television.

There was no picture. The reception was terrible. In a strange way, Duncan was relieved to turn it off. He felt unnerved as it was, preferring a silent house to one in which the TV might muffle or disguise any noise coming from elsewhere within its walls.

Chinese food and whisky calmed him. It took only half an hour for Duncan to pretty much forget the events he’d experienced, or at least to have put them to the back of his mind along with a mental note to find a rational explanation for them some other time. Whatever the cause, it would be better left until morning when the curtains could be opened, the house flooded again with natural light, and the outside world – grim as it was in Larkfield – seen from within.

He opened his laptop to work on Cantus Arcticus. In truth, he could understand the agent’s criticisms, especially regarding the eponymous story. Although possessing a vague and abstract knowledge of the paranormal and parapsychological research into why people believe in supposedly supernatural phenomena, Duncan had really always used ghost and horror stories more as a means by which to try and understand the nature of death and loss. Maybe, at some level, this had something to do with Mum and Janet dying as young as they had, with them being snatched from him so soon. Maybe he had always felt guilt for that, after all. As much as he had always – and still did – blame Dad, perhaps the old man had been on to something when he’d said that Duncan could and should have been there to help. This wasn’t something Duncan allowed himself to think about very often.

And it wasn’t something he was going to allow himself to dwell on now. Really what he wanted to think about were the central themes he’d been struggling with. The story concerned a man dying at the South Pole and later haunting his scientist-explorer colleagues. A revenge tale, the characters were unpleasant, and all would suffer the consequences of their behaviour. Duncan had notions that there must be some kind of gap between life and death: it wasn’t simply a case of being one thing or the other. There must be a transitional stage: a dark, mysterious, opaque sort of expanse, perhaps, like the sea, like the Arctic, through which one must pass to the other side – to true death. Hadn’t he just witnessed this with his own father – with Dad’s strange descent and bewildering journey from the clarity of this world to a realm of existence only he could see but which he couldn’t aptly communicate? Killed off in hideously graphic detail at the start of the tale, Duncan’s protagonist would become caught and trapped within this middle-land, condemned to haunt his colleagues until they righted the wrongs that led to his death in the first place.

Duncan’s other notions were vaguely spiritual. He’d never been particularly religious himself – or, rather, he had always avoided and resisted any form of organised practice. But he was fascinated by the faith of others, particularly – as a young student of literature – by biblical descriptions of heaven and hell, light and darkness. It seemed to Duncan that true light – the true eternal light promised Christians – was darkness. Light is a temporary phenomenon of the universe. It burns out. It will all burn out, eventually. Similarly, true unending warmth must be the eternal chill of the universe. If there really were a god, God must flip human expectations – they must learn, or be taught, to embrace the cold darkness of infinity in the life to come.

Wrangling and struggling with such thoughts, Duncan felt he was on to something. It was all a matter of explaining them properly, and as interestingly as possible within the narrow confines of a short story.

He worked for an hour, then found he needed to check a fact on the Internet. For the last fortnight, he’d been logging into a neighbour’s account, but this seemed to have disappeared tonight. Perhaps it was the weather. The rain was heavier than ever. He listened to the sound of water lashing down, then set the laptop aside and refilled his glass.

Bang!

There really was no other word for it. That was the sound – a short, sharp crack that echoed from within the kitchen. Rushing through, staggering slightly from the whisky, Duncan discovered an open back door and a cupboard door swinging to and fro in the breeze. He locked the door and closed the cupboard. The explanation for this was simple enough – he hadn’t closed the old door firmly enough after taking out rubbish to the bin.

But walking back into the living room his eyes alit on the carpet beneath Dad’s armchair. He could ignore it no longer. Those rings of dirt beneath the casters were larger than before – dirt the wheels had covered for years. The armchair had shifted again, of this he was certain.

In his slightly drunken state, this was more than he could bear. He had no thought of leaving – booze had emboldened him. Nonetheless, he couldn’t put up with much more of this. If the chair was shifting of its own accord, it was time for Duncan to shift it somewhere he couldn’t see it. The furniture must go.

It took two hours or more, and what the neighbours must have thought – assuming they’d watched him from their windows – he couldn’t imagine. But there it stood in the garden. All of it, save the sofa, the kitchen table and, upstairs, the bed he slept in. The lawn couldn’t be seen for what remained of his father’s furniture. Returning indoors, shivering from the icy driving rain more than from fear, and pumped with a sense of exhausted accomplishment, Duncan pulled tight the door once more and settled back on the sofa with the bottle, the glass, and a reluctance to think too deeply about the events of the evening.

He decided to get drunk. It still felt strange to drink whisky in a house where alcohol – due to Wee Free grandparents he never met – was largely frowned upon. Mum never drank, Dad rarely. Breaking the unwritten rules of the house, Duncan’s slight sense of guilt kicked up the ghosts again, memories stirring within his mind – Mum, the winter’s day she bought brandy to lace the Christmas pudding, then poured away the rest so nobody else would ever finish it for less wholesome purposes. Janet, lovely Janet, laughing over the solitary can of McEwan’s left out for Santa (in reality, Dad’s Christmas treat), and the smell of stale beer in the living room the following morning, an exotic and not altogether likeable aroma that hung over the presents, lingering like a strange and somewhat fearful visitor. Dad rubbing his forehead when he came downstairs. They didn’t know it then, but, for such a rare drinker, this sole can would have given him a hangover.

Actually, Duncan could only remember his father getting drunk on one occasion – and it was an occasion he’d recalled again only recently. It had happened in about 1996, the year after Dad had his heart scare. Duncan had come across from Stirling to visit him. He hadn’t wanted to, but felt he ought. He’d surprised Dad. The old man was unusually unsteady on his feet when he opened the door to his son, and then Duncan had realised why. Down the side of the armchair sat six cans of Tennant’s lager. Not a vast amount, by any means, but, of course, it wouldn’t have taken much to get Dad pissed.

And that was the night Dad told Duncan about the war – again. Much of it was stuff Duncan had already heard during his visits of the last year. But one thing caught his imagination. Dad, slurring slightly, veered into a sad diversion. It hadn’t made a lot of sense, but the story seemed to involve a stop his ship had made at some far-flung Scandinavian port in early 1945. Duncan couldn’t remember the name. If he’d had the Internet tonight, he could have checked.

The story concerned a box Dad had taken care of for a Norwegian sailor. He’d only been asked to mind it for the evening, while Dad’s colleagues and their Norwegian counterparts got wasted in a bar. However, for some mysterious reason he couldn’t quite explain, Dad never returned this mysterious box. He made out he kept hold of it, taking it back on board his own ship (the last on which he would serve before the end of the war) by mistake. But something about his tone of voice, and the unexpected nature of the anecdote, led Duncan to suspect there was more to it than that.

Dad said the sailor told him the box came from far further north, from the forests of Finland, no less – the land of the mystic Sami, within the Arctic Circle itself. He seemed to rue very deeply his decision to keep it. Was Duncan right to sense that the Norwegian sailor would’ve been extremely angry to lose it?

“She never knew. I never – well, I never showed no one.” Dad avoided using Mum’s name. Even on an evening of such unexpected honesty and candour between father and son, Dad knew certain boundaries shouldn’t be crossed. “Tried to return it, before it was too late. Then tried to get shot of it,” he continued.

What the box contained or where he’d put it, he never elaborated, even in the depths of intoxication.

Duncan’s curiosity had been piqued further by the old man’s reluctance to speak again on the subject – firstly, next morning, when he had a raging headache, and then later, when he’d clearly had time to regret mentioning it at all. Duncan had wondered greedily where it was stored, and how he might go about locating it.

Nine years had passed. Duncan never had found anything, but the memory rose again to his mind a day or so after Dad gave his weird warning about the box Duncan should bury.

“Apples ... but not apples. The box with apples in it that aren’t apples ... bury it. It’ll save your life.”

As soon as Duncan connected the old story with this command, he tried to talk to Dad about it, but the old man refused – he couldn’t, or wouldn’t, talk of it again.

A wee bit pissed himself, Duncan began to ponder. What could this box contain? And, more excitingly, would it be valuable? There was really very little left in the whisky bottle and Duncan realised he would struggle to climb the stairs if he finished it tonight. Screwing on the lid, he took the bottle and glass to the kitchen. Wind now howled around the house as the storm peaked, rain running furiously from every gutter and teeming down the windows.

Turning off each light as he passed through the house, he began to make his way upstairs, not registering the fading smile of his father in a cheap, plastic picture frame hanging on an old nail in the wall.


Monday, 9 December 2013

Cantus Arcticus - Part One




Cantus Arcticus is written by Mark Jones of Wordsmith Jones Editorial Servicesit is told in 5 parts, one each night this week... Mark's story Moonlight Over Inverkip is part of our A Nip in The Air Ghost Story Collection. No less terrifying is Mark's brave rifling through his teenage diaries which you can enjoy at 20 years Ago Today : A Diary of Teenage Embarassment.

The wind along Auchmead Road cut deep through Duncan’s fleece. It was a sunny day in early December but cold, fast approaching freezing. Duncan hated the Greenock wind, not because it was any sharper than that of Stirling (which it wasn’t), but because it came off the Clyde, from the sea. He hated the sea and any reminder of its vast, mysterious expanse. Stirling, at least, was landlocked, which is why – until only recently – he’d enjoyed the fifteen years he’d lived there.

Duncan loathed being back in Greenock. The streets at this time of morning were quiet – overbearingly so. In the newsagent’s all he’d heard was a short, well-intended word of commiseration from the short, well-intending elderly lady behind the till. She’d worked there for years. He knew her face but not her name. Dad would have known her well, he probably spoke to her almost every day for the last half century. Outside, back in the wind, Duncan found the rows of identical grubby houses close in around him. It was worse even than being stuck in the house, itself filled with a silence so profound it felt almost deafening.

Approaching the steps that led to the front door, Duncan found himself missing his own tidy little home just a short walk from the neat little campus where he taught. Larkfield depressed him, just as it had throughout his childhood.

Jabbing the key into the Yale lock, he pushed through a pile of mail on the soft carpet of the hallway and into the warmth of the house. It still surprised him to think he now owned it. He recoiled at the smell – an odious mix that still lingered days after Dad had passed away. The old familiar aroma of burnt sausages and stale tobacco mixed now with the strange, perhaps half-imagined, smell of sweat and decay that had built up during Dad’s last days. The smell of death. Duncan would be glad to be shot of the place, glad to get away again, and this time forever.

How odd. Duncan picked a picture frame from the carpet. It had fallen from its nail as he entered, caught, presumably, by the draft. But the frame was so small and of such cheap, light plastic that he couldn’t figure how it managed to land with such a noisy thud against the carpet. It fell with enough force to dislodge the picture inside – a grey, fading photo of Dad in his uniform, on deck, taken before the war, the blurred ghostly towers of some unknown, exotic port rising mistily behind him. Duncan supposed he ought to set the photo straight, but he couldn’t be bothered. All this junk would be binned by the end of the week. He placed the frame beside the telephone.

Sitting with a pile of paperwork on the old walnut coffee table, Duncan began to sift for anything useful. The sale of the house in Larkfield was now his last hope. While he’d enjoyed his life and lecturing in Stirling, he had private reasons for wishing to move on, reasons that now filled him enormous unease.

For two years now, he’d pinned these hopes of escape on his latest work – the most recent of his many unpublished works, this one a collection of short horror stories he’d called Cantus Arcticus. He’d been pleased with it, but only the day before he was summoned back to Greenock to witness Dad’s final illness, he’d received yet another rejection slip. The literary agent to whom he’d written evidently thought it too pretentious and its style too outdated, baulking at some of his phrasing. She seemed to take a particular and, to his mind, peculiar dislike of “squamous hideousness”, a description of which he’d been rather pleased.

This rejection piqued his intellectual pride, but, more than that, the book had been his favoured escape route. To finally become a published author, in whatever genre, would enhance his academic reputation even if it didn’t make him rich in itself. Success might lead somewhere – he might sell the rights to the stories to the movies, or get work reviewing books. Or, at the very least, it might enable him to find that elusive job he so needed in another town, at another university. Anything was possible. He just needed to focus more and make it happen. His problem, he knew, was that he’d always been a dreamer. But, surely, that was what made him a writer in the first place?

Yet Cantus Arcticus remained a pipe dream so long as agents and publishers remained squeamish of words like squamous. Now he had only Dad’s house to finance his release from worry.

The jingle of an ice-cream van broke his thoughts. It was surely too early in the day and too late in the year for ice-cream, but the local vendor must know his market, thought Duncan. The sound of women and kids huddling around the van made him realise again how quiet this house was.

There were ghosts in this house, he thought. Not real ones. That – even to a writer of horror stories – would be silly. But in the oddest of ways, every movement of his seemed somehow to disturb the house as though it were a living body. Every step, every creak from the sofa as he shifted in his seat, kicked up ghosts like dust from the carpet. Ghosts of memories locked within the very fabric of the building. Ghosts he’d rather avoid. Memories of childhood, of Mum cooking, of Janet playing, of Dad trying to crack jokes Duncan could never raise a smile for. He had only to open a kitchen cupboard and see all those ancient mugs and teacups to be reminded of them all. He hadn’t spent this length of time here since he was a teenager, and yet he wasn’t the stranger within it he felt he ought to be. It was all too horribly familiar.

Dad really must have had more than this. Duncan began sorting through pension documents and bank statements. After all, during latter years, the old man hadn’t seemed to spend his money on anything, locked up here in Larkfield, rarely going out, and never spending his pension on more than food and tobacco. He’d never been a big drinker, either, even after Mum and Janet died, so he must have stashed away quite a bit. It was simply a case of working out where. A light drizzle spattered softly against the window, a steady pattering hum that lulled Duncan’s tired, dozy mind and made him wonder whether or not he should snooze for an hour.

“Jesus!” Spat from his mouth, the word awoke him. There had been a loud clatter from the hallway. The picture frame had fallen again, this time tumbling off the telephone table. The old man grinned up at him. Duncan dropped the photo in the wicker bin beneath the table and returned through the living room to the kitchen. As he entered, he could’ve sworn he heard the tinkle of metal, of cutlery being lifted, which was strange because the cutlery drawer had indeed been left open, something Duncan didn’t remember doing. He heard laughter. From the window he saw old Mrs Dempster grabbing damp washing from the line, rescuing it from the rain. She was talking to a neighbour on the other side of her fence.

Duncan returned to the silence of the sofa with a cup of coffee, a silence too deep for his comfort. He’d play a record if he could, but of course the only ones left were Mum and Dad’s old Val Doonican and Jim Reeves albums. And they would do his mood no good at all.



If there was one thing in Larkfield’s favour, it was that you couldn’t see the sea from it, not from this house, anyway. The Clyde was obscured by the streets ahead and behind the house rose hills high above the town. Duncan loathed the sight of the sea. It acted as a constant reminder of his father’s obsession with it. It still depressed Duncan how deeply Dad had failed to understand his son’s inability to share a love for all things nautical. This incomprehension had led Dad to disapprove of all Duncan’s other adolescent pursuits – which amounted to little more than reading. Duncan, both as a child and an adult, had been an indoor kind of person, a dreamer, a loner, an embroiderer of fantasies – fantasies of places he would much rather be. Duncan had spent a lot of his life living and travelling in his head and (if he was brutally honest) never really winding up anywhere. Dad, the opposite, never could comprehend this, the salty old seadog with his interminable tales of the sea – tales of places he had already been. Dad was a doer.

In fairness, Dad hadn’t bored him with war stories as a child. In fact, he kept quiet about it until much later, during the heart scare of 1995. Then he wouldn’t shut up, as though the unexpected lease of extended life he’d been afforded gave him a desperate need to offload his life story on to others, before it was too late. Having recovered, Dad realised he was living on borrowed time. But, with nobody else left, who could he tell but Duncan? And that was the problem. By that point, it was far too late to try impressing Duncan with anything. He’d detested the old man ever since Mum and Janet died.

Dad, Suffolk farming country born but bound for sea, joined the merchant navy in 1938 and then found himself in the North Atlantic convoys during the next six years. It must, Duncan had to admit, have been a hellish experience. After the war, Dad met Mum during a stop at Greenock, they married, and he proceeded to try and win his own personal peace with a family and a job at Scotts shipyard. However, the old man had been so bullish in his continuing enthusiasm for the sea – always goading the boy to join the Sea Cadets and suchlike – that he’d alienated his young son, who wanted nothing to do with it. A lanky, spotty land-lubber, young Duncan loved books and came to yearn for the simple, warm, dry comforts of a quiet life in academia. Why couldn’t Dad have understood that?

An ocean of misunderstanding surged and swelled between them. Then, in his late teens, it threatened for a while to drown them both. Stuck in the same house together, trying to come to terms with what had happened, each blamed the other. Duncan ached to avoid the memory of that day. A row with Dad because he refused to go to Millport with Mum and Janet. Then, later, the news. There had been an accident. Dad had taken them out too far in a dinghy, the weather had broken, the helicopter came, but too late to save but one of them. Dad returned home, and never forgave Duncan for not being there to help him. Duncan never forgave Dad for taking them out that far in the first place.

These then were the ghosts that, like dust, sprang up from Duncan’s every footfall: having tried for years to escape this house, this past, each familiar household item – every coffee cup, or the pair of Dad’s old boots he’d earlier thrown in the bin – brought it all back to him; dragged him back within its, to his mind, miserable hold. Remembrance of things past he’d far sooner forget.

The grey afternoon closed in around the house on Auchmead Road and, although Duncan was too blind to the signs to realise it, so too did the past – his past, his father’s past, and all the consequences that must flow from them began to edge and creep a little closer towards him, encircling, affecting, and infecting both his present and future.

Part Two...
 

Monday, 2 December 2013

Midwinter Tales 2013



This December, as we have for the last few years, we celebrate Tales of Unease. You can look forward to various eldritch misadventures, grave tales, dopplegangers, latin terror, Japanese nightmares and an exclusive comic strip from Andy Lee, as well as our longest winter tale EVER, an old school, serialised epic from Mark Jones. We'll also have recommendations for late night watching and listening in the dark.

This year, for the first time, members of Magic Torch will also be reading a selection of Ghost Stories LIVE in The Dutch Gable House on Thursday 19 December from 7-8. The cost is £2, with proceeds going towards our next year projects. Spaces are limited, so if you are interested in tickets, email aulddunrod@gmail.com or pop into The Dutch Gable House. Tickets will not be on sale on the night.

As ever though to kick us off, and without debate, one from the master, read by the other master...




And if yer in the mood for further Lee based horror...here is his heavy metal cover of Little Drummer Boy...terrifying...





  

All profits are reinvested in local heritage projects.

From doomed love to haunted industrial wastelands
via ruined Roman roads and abandoned castles,
there's something to chill every heart.

Tuesday, 5 November 2013

A Nip In the Air - Ghost Story Ebook

http://www.amazon.co.uk/A-Nip-Air-PJ-Bristow-ebook/dp/B00GFU5UGS/ref=sr_1_1?ie=UTF8&qid=1383642778&sr=8-1&keywords=a+nip+in+the+air

So far this year, with the support of Heritage Lottery Fund Scotland we've given you TWO WHOLE FREE BOOKS, Wee Nasties and Tales of the Oak.

Now is your...let's call it an "opportunity", to give a little something back. Torch are currently fundraising for contributions towards our next years projects - we can't come right out and tell you what they are yet, but if you enjoyed this years mix of free childrens books, comics, folklore and storytelling...then you won't be disappointed. Music fans may also be in for some treats.

So, we've released a new ebook collection exclusively on kindle which is ideally suited for this time of year. There's a wee bit of everything from doomed love to haunted industrial wastelands and it can be yours for a mere 99p - just imagine you were scouring through the pound shop and found it beside all the cookbooks and second hand repackaged CDs.

Family member getting a kindle for Christmas? Know an elderly relative in need of a scare? Then show someone the price of your love - all 99p of it. Though I would argue there is at least £1.89 of value.

You can get A Nip In The Air on amazon now, all profits following enormous amazon cut, will be reinvested in local heritage projects run by volunteers, no individual contributors will benefit from it's sale...

And if you have enjoyed that, then don't forget our original classic folktale collection Tales of the Oak is on sale as well.

A Nip in the Air is named in tribute to Sir John Betjeman, here are the marvellous British Sea Power celebrating his genius


Wednesday, 19 December 2012

The Green Oak Trees

We continue to prep our Tales of the Oak comic, but as a special Christmas Treat, here's the first full strip, a short tale of festive fear and folklore, we hope it's very much in the classic Tales from the Crypt style. We can't wait to share more of the comic with you over the next few months.







And now, get yourself ready for the upcoming solstice with a classy, and just slightly scary, animated video for Jethro Tull's festive EPIC Solstice Bells...


Saturday, 15 December 2012

Ghost Tales of the Clyde Valley


The story below (and many others) appear on the Ghost Stories from Scotland's Clyde Valley, a compilation of tales collected by Christine Tweedly while working for the Clyde Valley Tourist Board in the 80s. Some wonderful stories and images on there. Give it a visit.

The Haunting Tale of the Beautiful Black Lady

Broomhill House was one of several large houses in the Millheugh area of Larkhall. It belonged to a Captain McNeil, a sea-faring gentleman, who sought his fortune in far-flung exotic locations. Legend says that the Captain returned from one of his adventures with a beautiful Indian princess, ,with whom he was very much in love. She was installed at Broomhill, but her happiness was short-lived. Her ignorance of Western customs made her a social embarrassment and the Captain forbade her to leave the house except at night. After a while, she was no longer seen at all and the Captain claimed that she had disappeared. However, her ghostly form soon returned to seek revenge.

At first she was seen at the window of Broomhill, beckoning to passers-by. Then she was seen roaming the surrounding orchards and the area known as Morgan Glen. Her revenge on the Captain is not documented, but his death certificate states that he died of premature old age!

The Black Lady was the subject of the first attempt to perform an exorcism live on television. It was in the 1960s, and the BBC team who visited the Larkhall site to document the event found that their cameras were freezing over although the weather was not cold. And was it the Black Lady who added the final macabre touch? When the filming was completed, the director set off for another location and was killed in a car crash.


You can see a clip from the exorcism attempt in this short film about Tom Robertson the ghost Hunter...