Tuesday, 13 August 2013

If Walls Could Talk....


This piece was written by Mark Jones, who rediscovered it recently and passed it on to us. Mark won our Tales of Unease competition last year with Moonlight Over Inverkip, and runs his own proofreading business Wordsmith Jones Editorial, which proofread the Identity : Kith and Kin book this year. Mark has very gamely just started republishing excerpts from his 20 year old teenage diaries on A Diary of Teenage Embarrassment, which gamely contrasts his painfully recognisable diaries with videos and images from the same period. Nice stuff.

If walls could talk, what would they tell? The Greenock house opposite mine could spin an intriguing yarn. I wonder if the current occupants know. I’m tempted to ask, but I won’t for it has far from a pleasant plot and no happy ending. Besides, who wishes to learn that their home once housed a man hanged for treason?

Its former inhabitant is Duncan Alexander Croall Smith, later known as Scott-Ford. Born in Plymouth, 1921, and raised there until his father – a sick bay attendant in the Royal Navy – committed suicide in 1931, Scott-Ford had, by June 1939, joined the Navy. With war looming, he sailed aboard HMS Gloucester, bound for Dar-es-Salaam, in modern Tanzania.

Here, he met a 17 year-old German girl, Ingeberg Richeter. Having visited her family home several times, the pair traded three letters, a fourth being returned to Scott-Ford after the Richeters repatriated to Germany – perhaps indicating that his ardour for the girl was stronger than hers for him.

A year later, Scott-Ford docked in Egypt. Escaping war for a while, he dallied with a prostitute whose fees impoverished him. He twice forged his Post Office book to withdraw non-existent funds, and was courts-martialed, discharged dishonourably from the Navy. However, following his mother’s repayment of the money, his prison sentence was reduced to honourable discharge. Thus it was, in July ’41, that he arrived amid the bomb-shattered streets of Greenock.

It’s uncertain how his mother and stepfather moved to Bannockburn Street, but evidence suggests they had family connections to the town. Scott-Ford’s reunion with his mother went badly. After accusing her of spending his wages on fur coats for herself and his cousin, he harangued her for sullying his dead father’s reputation. To the relief of all, he decamped to Union Street, and – once his Admiralty papers arrived – signed to a merchant ship.

After touring the Caribbean, Scott-Ford returned to lodgings on West Blackhall Street, before securing a berth aboard the SS Finland. On February 10th 1942, he sailed from Greenock to Lisbon – a course that would lead, ultimately, to disaster.

One evening, Scott-Ford repaired to a Portuguese bar, where he was joined by a stranger who introduced himself as Rithman, a sea captain. Scott-Ford chatted with Rithman, reminiscing about Ingeberg. Rithman offered to arrange the resumption of the young lovers’ correspondence, but only if Scott-Ford confirmed a rumour that all British ships were to return to port by June 28th. Rithman then handed Scott-Ford 1,000 Escudos – no fortune, but a handy sum for a seaman.

Perhaps Scott-Ford had no knowledge of this rumour but decided to string along his companion, for either the money or a reunion with Ingeberg. Yet in doing so, he must have known he courted danger. This, after all, was an era in which sailors were warned that ‘loose lips sink ships’. For Rithman to supply money suggested he was more than merely curious in the whereabouts of British ships. And to have promised to put Scott-Ford in contact with Ingeberg could only mean he had relations with people inside enemy Germany. This was not a conversation any British seaman should have pursued.

The pair met again the following day, along with a mysterious Captain Henley. Scott-Ford may have been drunk the night before, but he’d had time enough to sober up and reconsider Rithman’s bargain. Yet, still he went. Why? Evidence suggests Scott-Ford was something of fantasist: he later portrayed himself as part of the ‘international spy racket.’ He was never that, for all the damage he may have caused. Nor was he very intelligent: any intent on his part to collude with the enemy put not only his fellow crewmembers at risk, but also himself. He was either stupid, or suicidal. Had he inherited his father’s depressive disposition? It’s possible he blamed the Navy for his father’s suicide; possible too that he resented it for representing the only career option available to him.

During May and July, Scott-Ford collaborated five times. In return for money, he signed receipts, naively using his own name, allowing Henley to blackmail him with the threat of exposure to the British consulate. Consequently, Scott-Ford surrendered a wealth of increasingly damaging information. After providing anecdotal comments concerning attitudes towards Churchill and the state of morale following German air-raids on Britain, he gave details of his convoy and ships lost along the way to torpedoes. He also provided the location of an aircraft factory at Merseyside, and details regarding the training of troops for a planned invasion of Europe he claimed to have overheard from Royal Marines in Greenock.

Conversely, his German paymasters became exasperated by his inability to supply other information regarding Britain’s minefields, warships Henley claimed were being built, and up-to-date copies of Jane’s military annuals. In a report made after Scott-Ford’s later internment, he was described as having arrived ‘full of bombast, visualising himself an important figure in the international spy racket […] eventually shown to be the traitorous rat he is.’ Traitorous, certainly. But in truth, Scott-Ford was never the master spy he made out.

Upon returning to Britain, Scott-Ford was twice asked whether he’d been approached by enemy agents while abroad. Initially, Scott-Ford claimed he had been approached but hadn’t co-operated. Perhaps he hoped to provide an alibi for any mysterious disappearances his colleagues might report. Perhaps he wished to appear important enough for agents to have taken an interest in him, but admirable enough to have spurned them. Possibly, his claims drew suspicion rather than deflected it, his superiors wondering why he’d waited so long to report the incident.

Asked again, on August 18th 1942, Scott-Ford proffered a similar answer. But British intelligence already knew Germans in Lisbon had been talking to an informer they code-named ‘Rutherford’. Confronted, Scott-Ford crumbled, confessing all. His personal effects were searched and notes discovered not only of the Finland’s movements since it left Lisbon but the names and positions of all ships in the convoy, as well as details of the aircraft protection provided.

He was sent to MI5’s Camp 020 in London and subjected to ‘rigorous methods of interrogation.’ Complying with the authorities, he became ‘increasingly alarmed’ at his situation. Like Timothy Evans – wrongly hanged for the murders of his wife and child in the later Christie affair – Scott-Ford appears to have been a man of below-average intelligence whose overactive imagination prevented him from separating fact from fiction, leading him to tell outrageous lies in order to impress others. Professor AWB Simpson has speculated that he may have been spared had he provided information on the German intelligence system. Tragically for Scott-Ford, this was information he simply didn’t possess. He just wasn’t the calibre of spy he’d led his accusers to believe. Only when he felt the cold shadow of the gallows fall slowly over him did he finally realise that the very people he should have been convincing of his innocence were people to whom he’d wasted time bragging his guilt.

On the 16th October 1942, Scott-Ford went on trial, in camera, at the Old Bailey. Judge Birkett heard from Sub-Lieutenant Wood, of the Admiralty’s intelligence division, that Scott-Ford’s actions would have proven ‘extremely useful to the enemy.’ Asked if Scott-Ford deserved reprieve, the Commandant of Camp 020 replied, ‘death by hanging is almost too good for a sailor who will encompass the death of thousands of his shipmates without qualm.’ Scott-Ford’s fate was sealed and the prophecy he made upon arrest was fulfilled:

‘If they can prove I’m a spy, they’ll send me on the eight o’clock walk.’

On 3rd November 1942, at Wandsworth, Albert Pierrepoint led the prisoner to the appointed spot, placed a white noose over his head and – with the pull of a lever – sent all 5’5", nine and a half stone of Duncan Alexander Scott-Ford’s body plummeting through the dark, gaping trapdoor and into the world beyond. The following day, a report appeared in the Times, with a warning to all British seamen against fraternising with strangers who might ensnare and blackmail victims.

One can only surmise how the news was received in Greenock, particularly by his family.

Scott-Ford wasn’t innocent. Neither, on the evidence we have, was he a particularly pleasant person. As for his motives, they are impossible to comprehend. Perhaps it hardly matters. Just the very thought that in different circumstances he might still be alive today makes his story, and the waste of his life, seem all the sadder.

I discovered his story while failing to find stories of former residents of my own home. My walls, it seems, don’t talk. However, soft whispers from a house opposite have intrigued me. They have transported my mind across oceans, aboard ships I’d never heard of, to cities and brothels and scenes of which I could never have imagined, and into the dark mind of one of Greenock’s lesser-known inhabitants. It makes me wonder what other tales remain to be told of our towns, if only we listen. If the walls of your street could talk, what might they tell?

Tuesday, 6 August 2013

Storytelling



A few months ago, we offered folk the opportunity to come along and get some storytelling training, just the basics, the chance to get confident. The group had support from storyteller Allison Galbraith, as recommended by Scottish Storytelling Centre. We've met in The Dutch Gable House a few times and later in the summer we'll be hosting our own wee Storytelling Ceilidh...one of the group even wrote a song based on a local tale!

It's part of our Heritage Lottery Fund Tales of the Oak project, our aim is to encourage the telling of traditional tales locally, to celebrate and preserve our intangible cultural heritage.

If you are interested in attending our next set of training sessions later in the year, let us know by contacting aulddunrod@gmail.com.




We also had an excellent opportunity last week to work with the Kelpies heritage group. As part of an international exchange with Finland, we sat and shared local folk tales and stories with a group of young people from Inverclyde and Finland. Everyone went away with copies of Wee Nasties and it's safe to say The Catman was a particular favourite.




Saturday, 3 August 2013

Port Glasgow Sculpture Vote

From Clutha Dreaming proposal by Andy Scott

I think I've made my feelings on the pros and cons of public art and sculpture fairly plain. I enjoy public art sculptures so much so that they are one of the main features of my book Tin Jimmy. I'm just not always so keen or convinced by the "engagement" which goes on around them...

HOWEVER....right now, you can vote on 1 of 4 potential new sculptures for the Port Glasgow roundabout. This is just down the road from me, so for once, I have a bit more inclination to be interested in how this one goes.

Once you get by the "waste of time and money" debate that will doubtless surround this particular piece given the timing, all art is subjective - we are all right and all wrong for our own contextual and aesthetic reasons. And so for me, hands down, its Clutha Dreaming on this one. I think we have a tremendous amount of sculpture and material which celebrate our shipbuilding heritage, in Greenock and Port Glasgow town centres, even on the cycle track, so it would be nice if we looked to our myths and legends for once. It's a right outside bet though, it was in last place when I voted, and its a guilty pleasure cos it is just a wee touch "new agey" for round our way. I'll even be honest and say I'm not 100% sure its not just my favourite cos its called Clutha. We are big fans of personified river Clutha and as well as starring in both our folklore books, the sinister Cluthee cult are also part of our new graphic novel due out next month.

So...thumbs up for Clutha....though if ye push me...that big red heid is pretty funny...
Is art meant to be funny? Whole other debate.

Like they say, writing about music is like dancing about architecture...

Tuesday, 30 July 2013

Wee Nasties - Free Download





We still have a few copies of the original book which we'll make available again later in the year, but in the meantime, here's a copy you can enjoy right now, for FREE.

Tuesday, 23 July 2013

Sir Glen Douglas Rhodes - Greenock Folk Hero


A recently discovered portrait of local archivist, adventurer and folklorist Sir Glen Douglas Rhodes, sometime resident of the Dutch Gable House. The picture and some of Sir Glen's archive materials relating to Captain Kidd are currently on display there.

Sir Glen disappeared shortly after his famous investigations into river and serpent worship cults in the area. We will dramatise elements of his archive and his battle with the sinister Cluthee in the Tales of the Oak comic later this year. Sir Glen is also involved in the Tin Jimmy Mystery, made an appearance in Identity The Archivists Treasure and has been a regular fixture of and inspiration for Magic Torch's folklore and heritage publications, since our very first book, 13 years ago.

You can pick up a FREE collectable postcard of this portrait at The Dutch Gable House, 7 1/2 John Wood Street and other community venues across the town.

Thursday, 18 July 2013

Beacon Special Offer - The Unthanks Songs From the Shipyards



You can take advantage of an excellent special offer thanks to The Beacon Arts Centre, The Unthanks - Songs from the Shipyards Music & Film

Beacon Arts Centre - Saturday 20th July 2013 at 7:30pm

Songs from the Shipyards is an award-winning audio visual work tracing the story of the shipyards through a beautiful and moving 60 minute film, accompanied by a new score from The Unthanks, performed live.

Special Offer - The Trust Heritage Project
Tickets £10 instead of £15


To take advantage of this special offer email

info@beaconartscentre.co.uk

with the word ‘Heritage’ in your email title, tell us your name, phone number and how many tickets you require in your email and our box office staff will call you back to confirm your booking and to arrange payment.

Politically powerful and full of emotional complexity rather than lazy nostalgia, Songs from The Shipyards won the Arts Council Award in the recent Culture Awards and is fast becoming an iconic and important account of Britain’s lost communities and industries.

Commissioned by and first performed at Tyneside Cinema, Songs from the Shipyards tells the story of the rise and fall of the shipbuilding industry and it’s impact on the lives of so many people in the 20th century; a spirited and stirring illustration of Britain’s industrial journey in microcosm that could just as easily be about the mills or the mines. Songs from the Shipyards is likely to affect anyone with connections to areas in which industry was once the lifeblood of community.

The film performance is a unique event that brings archive film of the UK’s shipyards and rivers to vibrant new life, re-visualised by internationally acclaimed filmmaker Richard Fenwick. Continuing their journey as England’s most innovative and adventurous folk band, Mercury award nominees The Unthanks perform live to the film, combining the folk songbook of the shipyard industry with new compositions and compelling arrangements, which can also be found on the accompanying Unthanks album, Diversions Vol. 3 - Songs from the Shipyards.

To book call 01475 723723 or click here

The Beacon Bistro will be offer a special pre-theatre menu prior to this performance. Advanced booking is required, please call us on 01475 723723 to reserve your table.     






Here's a little of what you can expect from this wonderful performance...

                

Wednesday, 17 July 2013

The Regeneration Game


The locally organised Keep Corlick Wild campaign has been attracting some press interest, and is holding a public meeting next week in the Beacon Arts Centre. You may agree with the industrial development of a windfarm, provided it creates (actual local) employment or you may wholeheartedly disagree with the disruption of archaeological sites - another example of our heritage being eroded. In all honesty, I personally have not yet made up my mind, and I speak as someone who loves heritage and lives a brisk walk along the cycle track away from the proposed site. I need much more proof of the proposed benefits, and I know I don't know enough yet about the new energy goldrush sweeping the nation. Regardless, discussion and conversation can only be a good thing - whatever the outcome. Indeed in other rural communities, windfarms are often owned and operated directly by the community - a much more transparent model. Well worth attending the meeting, and hats off to Keep Corlic Wild for building up a head of steam and keeping the conversation going.

As an aside, totally unrelated to the above event, 2020 Renewables (the company behind the planning application) were one of the companies invited into the area to create investment by Riverside Inverclyde. There has been a lot of reporting over the last few days about the failures of RI, in the Greenock Telegraph, Inverclyde Now, the Herald and in perhaps the most straightforward numbers based version on BBC News.

Since our abortive Sugar Sheds Campaign in 2011, I try to keep politics out of this blog, the fairy stories I tend to be interested in are the old ones. Also, you'd be surprised how often having an opinion interferes with my day job. I've been disappointed however to see the facts of Riverside Inverclyde's delivery/non-delivery being politicised; I'm not sure how the rest of the community feels, but I don't care whose "fault" it is, or who said what when, I just don't want it to happen again - RI are our third attempt at a regeneration agency in the last 25 years. During the Sugar Sheds campaign I spoke to MPs, MSPs and Councillors from every political party, as well as members of RIs team - everyone locally knew RI wasn't working the way it should, as did any of the interested public - it was after all, self evident from the lack of new jobs and industry being created. To suggest otherwise now is disingenuous. We didn't need a "mid term report" to tell us that, perhaps just to prove it.

For now and for the next few years, the Urban Regeneration Company model remains an important gateway for much needed investment into this area, lets hope that the future composition of Riverside Inverclyde takes genuine and direct account of the Scottish Government Regeneration Strategy "Achieving a Sustainable Future", which has very clear guidelines for how best to involve the community in regeneration in meaningful and measurable ways, perhaps also involving local business leaders and entrepreneurs in the development of what comes next. It would be nice if we could all work together to achieve that, regardless of politics. Maybe that way, one day, regeneration will stop being such a misused word and turn into an actual reality.

Right. No more soapboxing, not my intention to offend or bore, we're all entitled to our personal opinion and all that - lets get back to graphic novel pages, pirates, witches, poems and stories about mysterious steam powered robots and dangerous public artwork...